7 | 2018

Keywords La Jeune Belgique • Veit • Argentinian art • Connoisseurship • Pattern book • Experimental series • Etchings • Grand Tour • Andrea Mantegna • Francesco Hayez • L’Art Moderne • George Augustus Wallis • Academy of Arcadia • Impressionism • Picturesque • Cottages • 19th Century Italian paintings • Rome • Claude Monet • Paul Delaroche • Arcadian Iconography • Applied arts • Abbozzo • Cernusco sul Naviglio • Mural painting • Delacroix • Koch • Vittorio Pica • N • Art collections • 19th Century French paintings • Dante’s mask • L • Papal states • Milan • Salon • James Malton • Mussini • Cultural exchanges • Theatre decoration • Ingres • Raffaele Vincenzo Barone • Market • Høyen • Brera • Getty Research Institute • Joseph Michael Gandy • Belgium • Stanze a boschereccia • Ambrogio Uboldo • Valenti Gonzaga • Giuseppe Sogni • Giuseppe De Nittis • Degas • Titian • Matteo Casella • Charles Heathcote Tatham

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

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