7 | 2018

Keywords Degas • Ingres • L’Art Moderne • Mural painting • Høyen • George Augustus Wallis • Veit • Applied arts • Papal states • Matteo Casella • Titian • Salon • James Malton • Cultural exchanges • Market • Art collections • Mussini • Rome • Vittorio Pica • Brera • L • Connoisseurship • Impressionism • Delacroix • Academy of Arcadia • Valenti Gonzaga • Cottages • Milan • Andrea Mantegna • 19th Century French paintings • Giuseppe De Nittis • N • Argentinian art • Francesco Hayez • Grand Tour • Joseph Michael Gandy • Claude Monet • Cernusco sul Naviglio • 19th Century Italian paintings • Paul Delaroche • Belgium • Dante’s mask • Picturesque • Pattern book • Experimental series • Raffaele Vincenzo Barone • La Jeune Belgique • Charles Heathcote Tatham • Arcadian Iconography • Getty Research Institute • Stanze a boschereccia • Etchings • Ambrogio Uboldo • Koch • Abbozzo • Theatre decoration • Giuseppe Sogni

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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