7 | 2018

Keywords Experimental series • Mural painting • Ambrogio Uboldo • La Jeune Belgique • Koch • Abbozzo • Connoisseurship • Etchings • Matteo Casella • Belgium • Picturesque • Milan • L’Art Moderne • Veit • Ingres • Art collections • Cultural exchanges • 19th Century French paintings • Cernusco sul Naviglio • Mussini • Grand Tour • Rome • Vittorio Pica • Charles Heathcote Tatham • Getty Research Institute • Dante’s mask • Argentinian art • L • Applied arts • Giuseppe De Nittis • Market • Academy of Arcadia • Stanze a boschereccia • Andrea Mantegna • Theatre decoration • Claude Monet • 19th Century Italian paintings • Degas • Delacroix • Joseph Michael Gandy • Impressionism • Pattern book • Giuseppe Sogni • James Malton • Cottages • George Augustus Wallis • Paul Delaroche • Salon • Titian • Brera • Valenti Gonzaga • N • Papal states • Francesco Hayez • Høyen • Raffaele Vincenzo Barone • Arcadian Iconography

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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