7 | 2018

Keywords Arcadian Iconography • Mussini • Titian • Charles Heathcote Tatham • Milan • Impressionism • Veit • Market • Andrea Mantegna • Claude Monet • 19th Century French paintings • Art collections • Pattern book • George Augustus Wallis • Giuseppe Sogni • L • Degas • James Malton • Belgium • Grand Tour • Vittorio Pica • Theatre decoration • Papal states • Salon • Delacroix • Koch • La Jeune Belgique • Cernusco sul Naviglio • Giuseppe De Nittis • Raffaele Vincenzo Barone • Ingres • Etchings • L’Art Moderne • 19th Century Italian paintings • Mural painting • Matteo Casella • N • Connoisseurship • Joseph Michael Gandy • Høyen • Abbozzo • Ambrogio Uboldo • Stanze a boschereccia • Valenti Gonzaga • Brera • Argentinian art • Getty Research Institute • Applied arts • Cultural exchanges • Rome • Picturesque • Paul Delaroche • Francesco Hayez • Dante’s mask • Experimental series • Cottages • Academy of Arcadia

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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