7 | 2018

Keywords L • George Augustus Wallis • L’Art Moderne • Claude Monet • Etchings • 19th Century Italian paintings • Abbozzo • Stanze a boschereccia • Academy of Arcadia • Picturesque • Belgium • Paul Delaroche • Experimental series • Connoisseurship • Rome • Mussini • Koch • Argentinian art • Art collections • Ambrogio Uboldo • Charles Heathcote Tatham • Degas • Cottages • Cernusco sul Naviglio • Francesco Hayez • Delacroix • Milan • N • Veit • Grand Tour • La Jeune Belgique • Cultural exchanges • Titian • Theatre decoration • Giuseppe Sogni • Mural painting • Pattern book • James Malton • Valenti Gonzaga • Raffaele Vincenzo Barone • Market • Papal states • Getty Research Institute • Ingres • Dante’s mask • Andrea Mantegna • Giuseppe De Nittis • Matteo Casella • Høyen • Impressionism • Brera • Vittorio Pica • 19th Century French paintings • Applied arts • Arcadian Iconography • Joseph Michael Gandy • Salon

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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