MDCCC 1800

7 | 2018

open access | peer reviewed

Keywords Academy of Arcadia • Cottages • Pattern book • George Augustus Wallis • Delacroix • Paul Delaroche • L • Getty Research Institute • Picturesque • Raffaele Vincenzo Barone • Stanze a boschereccia • Theatre decoration • Brera • Mural painting • La Jeune Belgique • Argentinian art • Rome • Høyen • Connoisseurship • Joseph Michael Gandy • Dante’s mask • Claude Monet • Cernusco sul Naviglio • Arcadian Iconography • Vittorio Pica • Grand Tour • Andrea Mantegna • Milan • Matteo Casella • James Malton • Market • Applied arts • Abbozzo • L’Art Moderne • Papal states • Ingres • 19th Century French paintings • Cultural exchanges • Etchings • Koch • Ambrogio Uboldo • Francesco Hayez • Belgium • Experimental series • Giuseppe Sogni • Impressionism • Mussini • Charles Heathcote Tatham • Salon • N • Titian • Giuseppe De Nittis • Valenti Gonzaga • Veit • Degas • 19th Century Italian paintings • Art collections

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es