7 | 2018

Keywords Salon • Mussini • Vittorio Pica • Experimental series • Theatre decoration • Brera • L • Impressionism • Argentinian art • Academy of Arcadia • Titian • L’Art Moderne • Belgium • Grand Tour • Getty Research Institute • Art collections • Giuseppe De Nittis • Arcadian Iconography • Koch • Valenti Gonzaga • Etchings • Delacroix • Giuseppe Sogni • Joseph Michael Gandy • Milan • Applied arts • Charles Heathcote Tatham • Matteo Casella • George Augustus Wallis • N • Stanze a boschereccia • Abbozzo • Degas • 19th Century Italian paintings • Raffaele Vincenzo Barone • Cultural exchanges • Francesco Hayez • Connoisseurship • Market • Veit • Mural painting • Cottages • James Malton • Rome • Picturesque • Paul Delaroche • Ambrogio Uboldo • Claude Monet • Papal states • 19th Century French paintings • Pattern book • Høyen • La Jeune Belgique • Ingres • Dante’s mask • Andrea Mantegna • Cernusco sul Naviglio

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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