7 | 2018

Keywords Experimental series • Grand Tour • Koch • Market • Arcadian Iconography • L • Theatre decoration • Academy of Arcadia • Brera • Giuseppe Sogni • Ingres • Impressionism • Joseph Michael Gandy • 19th Century Italian paintings • James Malton • Claude Monet • Francesco Hayez • Andrea Mantegna • Dante’s mask • Abbozzo • Cottages • Rome • Høyen • La Jeune Belgique • Milan • Paul Delaroche • Getty Research Institute • Raffaele Vincenzo Barone • Stanze a boschereccia • Veit • Charles Heathcote Tatham • Mural painting • Valenti Gonzaga • Etchings • Titian • Connoisseurship • Delacroix • Mussini • Art collections • N • Matteo Casella • Pattern book • Picturesque • Vittorio Pica • Cernusco sul Naviglio • Salon • Argentinian art • George Augustus Wallis • Papal states • Belgium • L’Art Moderne • Ambrogio Uboldo • Applied arts • Degas • 19th Century French paintings • Cultural exchanges • Giuseppe De Nittis

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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