7 | 2018

Keywords Paul Delaroche • Raffaele Vincenzo Barone • Market • Titian • Impressionism • Giuseppe Sogni • Valenti Gonzaga • Art collections • Getty Research Institute • Høyen • Matteo Casella • Mussini • L • Ambrogio Uboldo • Etchings • Cernusco sul Naviglio • James Malton • Cultural exchanges • Delacroix • Ingres • Vittorio Pica • Andrea Mantegna • Grand Tour • Mural painting • Salon • Argentinian art • Pattern book • Applied arts • Brera • Picturesque • La Jeune Belgique • Abbozzo • Joseph Michael Gandy • Giuseppe De Nittis • Belgium • Claude Monet • Rome • Stanze a boschereccia • Koch • Degas • Arcadian Iconography • L’Art Moderne • 19th Century French paintings • Veit • Papal states • Experimental series • Charles Heathcote Tatham • Milan • Theatre decoration • Academy of Arcadia • George Augustus Wallis • N • Cottages • Dante’s mask • Francesco Hayez • 19th Century Italian paintings • Connoisseurship

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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