7 | 2018

Keywords Matteo Casella • Vittorio Pica • L’Art Moderne • Rome • George Augustus Wallis • Andrea Mantegna • Etchings • Theatre decoration • Grand Tour • Experimental series • Valenti Gonzaga • Charles Heathcote Tatham • Mural painting • Papal states • Degas • Arcadian Iconography • James Malton • Titian • L • Milan • Pattern book • Picturesque • Mussini • Art collections • Cottages • Stanze a boschereccia • Belgium • Argentinian art • Cernusco sul Naviglio • Paul Delaroche • 19th Century French paintings • Academy of Arcadia • Dante’s mask • N • Cultural exchanges • Veit • Delacroix • Høyen • 19th Century Italian paintings • Abbozzo • Connoisseurship • Market • Brera • Impressionism • Raffaele Vincenzo Barone • Claude Monet • Giuseppe De Nittis • Joseph Michael Gandy • La Jeune Belgique • Getty Research Institute • Giuseppe Sogni • Applied arts • Koch • Ambrogio Uboldo • Francesco Hayez • Ingres • Salon

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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