7 | 2018

Keywords Getty Research Institute • L’Art Moderne • Claude Monet • 19th Century French paintings • Matteo Casella • Salon • Stanze a boschereccia • George Augustus Wallis • Cernusco sul Naviglio • Koch • Grand Tour • Theatre decoration • Delacroix • Papal states • Giuseppe De Nittis • Dante’s mask • Etchings • Andrea Mantegna • Francesco Hayez • Argentinian art • Giuseppe Sogni • Raffaele Vincenzo Barone • Mussini • Cottages • Veit • Høyen • Mural painting • Rome • Brera • Market • Degas • Milan • Charles Heathcote Tatham • La Jeune Belgique • 19th Century Italian paintings • Pattern book • L • Belgium • Ambrogio Uboldo • Arcadian Iconography • Titian • Experimental series • Ingres • Cultural exchanges • Vittorio Pica • Applied arts • Academy of Arcadia • Art collections • Joseph Michael Gandy • Picturesque • Valenti Gonzaga • Impressionism • Abbozzo • Connoisseurship • James Malton • N • Paul Delaroche

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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