MDCCC 1800

Journal | MDCCC 1800
Monographic journal issue | 6 | 2017

6 | 2017

open access | peer reviewed
Abstract

Keywords Industrial arts • Como • Heritage • Fin-de-siècle • World Fairs • American Artists • Art Exhibition • Art nouveau • Liberty • Paris 1867 • Antonio Salviati • Display • Divisionismo • Paris • Surrealism • World’s Columbian Exposition • Giacomo Salvadori • Eclecticism • Emilio Longoni • Russian fine art • Imperial Fine Arts Academy • Glasswork • Alessandro Volta • Zaragoza • Adolfo Hohenstein • Avant-garde Exhibitions • Carlo Ceppi • Murano • Islamic Art • Ottoman Empire • Simbolism • Weltausstellung • Exposition Universelle • Eugenio Linati • Costantino Gilodi • Mosaic • Expositions Universelles • Cosmopolitanism • Egypt • Vienna • Exhibition • Decorative arts • Lombardy • World’s Fair • Khedive Ismail • Peredvizhniki • Commission of monuments • Persia • Photography • Colonialism • American Art • Landscape painting • Russian painters in America • Ottoman Turkey

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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