MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Peredvizhniki • Giacomo Salvadori • Liberty • Adolfo Hohenstein • Alessandro Volta • Divisionismo • Fin-de-siècle • Cosmopolitanism • Exhibition • Photography • Russian painters in America • Art nouveau • Lombardy • Eclecticism • Emilio Longoni • Costantino Gilodi • Egypt • Vienna • Russian fine art • Como • Persia • Murano • World’s Fair • Art Exhibition • Commission of monuments • American Art • Khedive Ismail • Decorative arts • Mosaic • Paris 1867 • Paris • Heritage • Ottoman Empire • Carlo Ceppi • Ottoman Turkey • World’s Columbian Exposition • World Fairs • Imperial Fine Arts Academy • Glasswork • Industrial arts • Colonialism • Exposition Universelle • Expositions Universelles • Antonio Salviati • Zaragoza • Simbolism • Eugenio Linati • Surrealism • Weltausstellung • American Artists • Avant-garde Exhibitions • Islamic Art • Display • Landscape painting

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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