MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Como • Paris • Avant-garde Exhibitions • Lombardy • Cosmopolitanism • Landscape painting • Zaragoza • American Artists • World’s Fair • Display • Paris 1867 • Photography • Costantino Gilodi • American Art • Carlo Ceppi • Khedive Ismail • Giacomo Salvadori • Alessandro Volta • Fin-de-siècle • Antonio Salviati • Islamic Art • Vienna • Expositions Universelles • Imperial Fine Arts Academy • Industrial arts • Persia • Colonialism • Exposition Universelle • Divisionismo • Liberty • Commission of monuments • Art nouveau • Glasswork • Surrealism • Exhibition • Weltausstellung • Eclecticism • Decorative arts • Egypt • Emilio Longoni • Heritage • Peredvizhniki • World Fairs • World’s Columbian Exposition • Russian painters in America • Simbolism • Ottoman Turkey • Murano • Art Exhibition • Ottoman Empire • Russian fine art • Mosaic • Adolfo Hohenstein • Eugenio Linati

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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