MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Simbolism • Avant-garde Exhibitions • Exposition Universelle • American Artists • Paris • Ottoman Turkey • Surrealism • Murano • Mosaic • Display • Antonio Salviati • Carlo Ceppi • Divisionismo • Egypt • Peredvizhniki • Paris 1867 • World’s Columbian Exposition • Weltausstellung • Fin-de-siècle • Khedive Ismail • Ottoman Empire • Eugenio Linati • Alessandro Volta • Costantino Gilodi • Eclecticism • Zaragoza • Vienna • Exhibition • Photography • Cosmopolitanism • Adolfo Hohenstein • Lombardy • World Fairs • Persia • Como • Giacomo Salvadori • Glasswork • Imperial Fine Arts Academy • Islamic Art • World’s Fair • Art Exhibition • Landscape painting • Commission of monuments • Liberty • Russian fine art • Colonialism • Decorative arts • Emilio Longoni • Art nouveau • Heritage • Industrial arts • Expositions Universelles • Russian painters in America • American Art

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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