MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Ottoman Empire • American Artists • Weltausstellung • Fin-de-siècle • Exposition Universelle • Mosaic • Glasswork • Eugenio Linati • Murano • Eclecticism • Art Exhibition • Heritage • Landscape painting • Peredvizhniki • Adolfo Hohenstein • Art nouveau • Persia • Decorative arts • Avant-garde Exhibitions • Paris • Photography • Costantino Gilodi • Khedive Ismail • Antonio Salviati • Surrealism • Divisionismo • Russian fine art • Commission of monuments • Paris 1867 • American Art • Como • Alessandro Volta • Cosmopolitanism • Simbolism • Zaragoza • Giacomo Salvadori • Colonialism • Display • Imperial Fine Arts Academy • Industrial arts • Expositions Universelles • Islamic Art • Liberty • World Fairs • Lombardy • Exhibition • Russian painters in America • Ottoman Turkey • World’s Columbian Exposition • World’s Fair • Emilio Longoni • Vienna • Carlo Ceppi • Egypt

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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