MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Display • Adolfo Hohenstein • Lombardy • Emilio Longoni • Vienna • Colonialism • Fin-de-siècle • Decorative arts • Commission of monuments • Antonio Salviati • Russian fine art • Exposition Universelle • Landscape painting • Liberty • Heritage • Avant-garde Exhibitions • Giacomo Salvadori • Egypt • Imperial Fine Arts Academy • Glasswork • Murano • Ottoman Turkey • Persia • Divisionismo • Alessandro Volta • Industrial arts • Weltausstellung • Peredvizhniki • Exhibition • American Artists • World’s Columbian Exposition • Mosaic • Khedive Ismail • Costantino Gilodi • American Art • Islamic Art • Carlo Ceppi • Surrealism • Cosmopolitanism • Paris 1867 • Simbolism • Eugenio Linati • Eclecticism • Zaragoza • Art nouveau • Photography • Como • Paris • Russian painters in America • Ottoman Empire • World Fairs • Art Exhibition • Expositions Universelles • World’s Fair

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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