MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Khedive Ismail • Adolfo Hohenstein • Vienna • Alessandro Volta • Art Exhibition • Paris • Eclecticism • World’s Columbian Exposition • American Art • Egypt • Expositions Universelles • Surrealism • Exposition Universelle • Mosaic • Murano • Giacomo Salvadori • Ottoman Turkey • Landscape painting • Zaragoza • Eugenio Linati • Islamic Art • Liberty • Persia • Costantino Gilodi • Emilio Longoni • Cosmopolitanism • World’s Fair • Imperial Fine Arts Academy • Antonio Salviati • Simbolism • World Fairs • Exhibition • Fin-de-siècle • Weltausstellung • Ottoman Empire • Russian fine art • Avant-garde Exhibitions • Commission of monuments • Como • Lombardy • Peredvizhniki • Heritage • Decorative arts • American Artists • Art nouveau • Colonialism • Photography • Russian painters in America • Display • Industrial arts • Divisionismo • Paris 1867 • Glasswork • Carlo Ceppi

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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