MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Lombardy • Landscape painting • Imperial Fine Arts Academy • Art nouveau • Russian fine art • Art Exhibition • Zaragoza • Heritage • Divisionismo • Commission of monuments • Alessandro Volta • Paris • World’s Fair • Eugenio Linati • Cosmopolitanism • Mosaic • Fin-de-siècle • Simbolism • Peredvizhniki • Costantino Gilodi • Adolfo Hohenstein • Egypt • World’s Columbian Exposition • Display • Eclecticism • Carlo Ceppi • Antonio Salviati • Colonialism • Glasswork • Weltausstellung • Decorative arts • Exhibition • Surrealism • Como • Ottoman Empire • Russian painters in America • Liberty • Photography • Giacomo Salvadori • World Fairs • Murano • American Artists • American Art • Paris 1867 • Expositions Universelles • Industrial arts • Persia • Avant-garde Exhibitions • Exposition Universelle • Khedive Ismail • Islamic Art • Vienna • Emilio Longoni • Ottoman Turkey

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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