MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Persia • Paris 1867 • Photography • Weltausstellung • Glasswork • Art Exhibition • Antonio Salviati • Ottoman Empire • Como • World’s Fair • Peredvizhniki • Colonialism • Landscape painting • Costantino Gilodi • Giacomo Salvadori • Alessandro Volta • American Artists • Fin-de-siècle • Liberty • Mosaic • American Art • Carlo Ceppi • Decorative arts • World Fairs • Islamic Art • Cosmopolitanism • Art nouveau • Imperial Fine Arts Academy • Surrealism • Avant-garde Exhibitions • Eugenio Linati • Eclecticism • Exhibition • Exposition Universelle • Ottoman Turkey • Commission of monuments • Vienna • Zaragoza • Expositions Universelles • Lombardy • Murano • Russian painters in America • Divisionismo • Paris • Khedive Ismail • Adolfo Hohenstein • Simbolism • Egypt • World’s Columbian Exposition • Industrial arts • Heritage • Russian fine art • Emilio Longoni • Display

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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