MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Costantino Gilodi • Alessandro Volta • Khedive Ismail • Colonialism • Carlo Ceppi • Art nouveau • Egypt • Imperial Fine Arts Academy • Glasswork • Liberty • Divisionismo • Display • Heritage • Peredvizhniki • Adolfo Hohenstein • American Art • Lombardy • Como • Paris 1867 • Simbolism • Zaragoza • Photography • Russian painters in America • Exposition Universelle • Emilio Longoni • Exhibition • Landscape painting • Ottoman Turkey • Cosmopolitanism • Ottoman Empire • Expositions Universelles • Mosaic • Surrealism • Vienna • World’s Columbian Exposition • Russian fine art • World Fairs • Art Exhibition • Decorative arts • Avant-garde Exhibitions • Paris • Eclecticism • Antonio Salviati • World’s Fair • Fin-de-siècle • Murano • Weltausstellung • Islamic Art • Persia • Giacomo Salvadori • Eugenio Linati • Industrial arts • American Artists • Commission of monuments

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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