MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords American Art • World Fairs • Alessandro Volta • Display • Art Exhibition • Heritage • Surrealism • Art nouveau • Simbolism • Glasswork • Murano • Photography • Paris 1867 • World’s Fair • Como • Costantino Gilodi • Giacomo Salvadori • Exposition Universelle • Liberty • Antonio Salviati • Zaragoza • Mosaic • Colonialism • Lombardy • Ottoman Empire • Weltausstellung • Imperial Fine Arts Academy • Islamic Art • Exhibition • Vienna • Commission of monuments • Carlo Ceppi • Adolfo Hohenstein • Eugenio Linati • Khedive Ismail • Cosmopolitanism • Eclecticism • Russian fine art • Emilio Longoni • Fin-de-siècle • Avant-garde Exhibitions • Egypt • Ottoman Turkey • Industrial arts • Persia • Decorative arts • Paris • Expositions Universelles • Russian painters in America • Peredvizhniki • Landscape painting • Divisionismo • World’s Columbian Exposition • American Artists

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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