MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Adolfo Hohenstein • Surrealism • Egypt • World’s Columbian Exposition • Russian painters in America • Giacomo Salvadori • World’s Fair • Exposition Universelle • Exhibition • World Fairs • Weltausstellung • Simbolism • Eclecticism • Photography • Carlo Ceppi • Heritage • Decorative arts • Liberty • Art Exhibition • Cosmopolitanism • Avant-garde Exhibitions • Antonio Salviati • Khedive Ismail • Emilio Longoni • Islamic Art • American Artists • Industrial arts • Lombardy • Russian fine art • Commission of monuments • Ottoman Empire • Divisionismo • Mosaic • Display • Paris 1867 • Glasswork • Peredvizhniki • Expositions Universelles • Vienna • Zaragoza • Costantino Gilodi • Como • Alessandro Volta • Paris • Eugenio Linati • Fin-de-siècle • Murano • Landscape painting • Ottoman Turkey • Colonialism • Art nouveau • Imperial Fine Arts Academy • American Art • Persia

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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