Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

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Lingua: it, en

Pubblicato: 31 Luglio 2017

Keywords

Antonio Salviati • Fin-de-siècle • Paris • Murano • Russian painters in America • Zaragoza • Photography • Peredvizhniki • Paris 1867 • Costantino Gilodi • Glasswork • Russian fine art • Vienna • Divisionismo • Art nouveau • Industrial arts • Exhibition • Heritage • Weltausstellung • Giacomo Salvadori • Art Exhibition • Landscape painting • Ottoman Turkey • Eclecticism • Cosmopolitanism • World’s Columbian Exposition • World Fairs • Colonialism • Emilio Longoni • American Artists • Exposition Universelle • Avant-garde Exhibitions • Como • Alessandro Volta • American Art • Khedive Ismail • Liberty • Mosaic • Ottoman Empire • Simbolism • Persia • Islamic Art • Surrealism • World’s Fair • Decorative arts • Carlo Ceppi • Eugenio Linati • Lombardy • Adolfo Hohenstein • Expositions Universelles • Imperial Fine Arts Academy • Display • Commission of monuments • Egypt

permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17

Copyright: © 2017 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.