MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Simbolism • Adolfo Hohenstein • Alessandro Volta • Zaragoza • Exhibition • Heritage • Emilio Longoni • Paris • World’s Columbian Exposition • Liberty • Display • World’s Fair • Vienna • Peredvizhniki • Commission of monuments • Como • Decorative arts • Expositions Universelles • Giacomo Salvadori • Industrial arts • World Fairs • Antonio Salviati • Russian fine art • Ottoman Empire • Surrealism • Cosmopolitanism • Persia • Mosaic • Murano • Art Exhibition • Egypt • Imperial Fine Arts Academy • Islamic Art • Weltausstellung • American Art • Khedive Ismail • Divisionismo • Glasswork • Art nouveau • Landscape painting • Ottoman Turkey • Photography • Lombardy • Exposition Universelle • Fin-de-siècle • Paris 1867 • Carlo Ceppi • Eclecticism • Eugenio Linati • American Artists • Russian painters in America • Avant-garde Exhibitions • Colonialism • Costantino Gilodi

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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