MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Display • Imperial Fine Arts Academy • Industrial arts • American Art • Simbolism • Landscape painting • Ottoman Turkey • Lombardy • Colonialism • Carlo Ceppi • Commission of monuments • Murano • Art Exhibition • Alessandro Volta • Avant-garde Exhibitions • Emilio Longoni • Paris 1867 • Decorative arts • Exhibition • Eugenio Linati • World Fairs • World’s Fair • Zaragoza • Antonio Salviati • Exposition Universelle • Paris • Glasswork • Como • Khedive Ismail • Expositions Universelles • Russian fine art • Ottoman Empire • Costantino Gilodi • Peredvizhniki • Persia • Fin-de-siècle • Vienna • Liberty • Giacomo Salvadori • Eclecticism • Russian painters in America • Islamic Art • Heritage • Surrealism • World’s Columbian Exposition • American Artists • Cosmopolitanism • Mosaic • Divisionismo • Adolfo Hohenstein • Egypt • Photography • Weltausstellung • Art nouveau

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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