MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords American Art • Heritage • Commission of monuments • Expositions Universelles • Peredvizhniki • Simbolism • Display • Landscape painting • Islamic Art • Liberty • Art Exhibition • Avant-garde Exhibitions • Carlo Ceppi • Imperial Fine Arts Academy • Como • Art nouveau • Cosmopolitanism • Mosaic • Ottoman Turkey • Paris • Russian fine art • Paris 1867 • World’s Columbian Exposition • Eugenio Linati • Russian painters in America • Emilio Longoni • Surrealism • World’s Fair • Weltausstellung • Eclecticism • Alessandro Volta • Vienna • Divisionismo • Exposition Universelle • Glasswork • World Fairs • Adolfo Hohenstein • Decorative arts • Exhibition • Fin-de-siècle • Industrial arts • Lombardy • Photography • American Artists • Persia • Zaragoza • Ottoman Empire • Egypt • Giacomo Salvadori • Antonio Salviati • Colonialism • Costantino Gilodi • Murano • Khedive Ismail

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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