MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Antonio Salviati • Russian painters in America • Zaragoza • Art Exhibition • Peredvizhniki • Costantino Gilodi • Khedive Ismail • Commission of monuments • World Fairs • Ottoman Empire • Eclecticism • World’s Fair • Exposition Universelle • Vienna • Paris 1867 • Art nouveau • Alessandro Volta • Como • Divisionismo • Industrial arts • Carlo Ceppi • Mosaic • Adolfo Hohenstein • American Art • Fin-de-siècle • Photography • Surrealism • World’s Columbian Exposition • Colonialism • Emilio Longoni • Ottoman Turkey • Lombardy • Display • Glasswork • Avant-garde Exhibitions • Heritage • Simbolism • Imperial Fine Arts Academy • Liberty • Murano • Expositions Universelles • Giacomo Salvadori • Paris • American Artists • Exhibition • Cosmopolitanism • Persia • Eugenio Linati • Decorative arts • Egypt • Russian fine art • Weltausstellung • Landscape painting • Islamic Art

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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