Rivista |
MDCCC 1800
Fascicolo monografico | 6 | 2017
Keywords Commission of monuments • Fin-de-siècle • Adolfo Hohenstein • Giacomo Salvadori • Paris 1867 • Peredvizhniki • Exhibition • American Artists • World’s Fair • Imperial Fine Arts Academy • Display • Alessandro Volta • Liberty • Paris • Vienna • Glasswork • Simbolism • World Fairs • Expositions Universelles • Ottoman Turkey • Weltausstellung • Art Exhibition • Lombardy • Antonio Salviati • Avant-garde Exhibitions • Exposition Universelle • Cosmopolitanism • Heritage • Eclecticism • Como • Carlo Ceppi • Surrealism • Eugenio Linati • Divisionismo • Khedive Ismail • Persia • American Art • Photography • Egypt • World’s Columbian Exposition • Colonialism • Industrial arts • Ottoman Empire • Mosaic • Decorative arts • Russian painters in America • Russian fine art • Art nouveau • Islamic Art • Emilio Longoni • Murano • Zaragoza • Landscape painting • Costantino Gilodi
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en
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Osservazioni introduttive
Le arti in mostra. Le esposizioni internazionali del XIX secolo