Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

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Lingua: it, en

Pubblicato: 31 Luglio 2017

Keywords

Cosmopolitanism • Carlo Ceppi • Industrial arts • World’s Columbian Exposition • Colonialism • Giacomo Salvadori • Imperial Fine Arts Academy • Paris 1867 • World Fairs • Avant-garde Exhibitions • Art nouveau • Mosaic • Costantino Gilodi • Heritage • Zaragoza • Art Exhibition • Exposition Universelle • Islamic Art • Murano • Egypt • Persia • Exhibition • American Art • Fin-de-siècle • Paris • Surrealism • Emilio Longoni • Russian fine art • Peredvizhniki • Russian painters in America • Antonio Salviati • Commission of monuments • Eugenio Linati • Lombardy • Adolfo Hohenstein • Photography • Display • Como • American Artists • Khedive Ismail • Ottoman Turkey • Decorative arts • Simbolism • Glasswork • Vienna • Ottoman Empire • Eclecticism • Landscape painting • Alessandro Volta • Liberty • Weltausstellung • Divisionismo • World’s Fair • Expositions Universelles

permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17

Copyright: © 2017 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.