7 | 2018

Keywords Stanze a boschereccia • Picturesque • Impressionism • Veit • Theatre decoration • Joseph Michael Gandy • Rome • 19th Century French paintings • George Augustus Wallis • Ambrogio Uboldo • Valenti Gonzaga • Belgium • Høyen • Giuseppe De Nittis • L’Art Moderne • Milan • Pattern book • Mural painting • Raffaele Vincenzo Barone • Charles Heathcote Tatham • Salon • James Malton • Vittorio Pica • Academy of Arcadia • Koch • Argentinian art • Francesco Hayez • Art collections • 19th Century Italian paintings • Cultural exchanges • Paul Delaroche • Andrea Mantegna • Etchings • Connoisseurship • Experimental series • Papal states • Titian • Claude Monet • Cernusco sul Naviglio • La Jeune Belgique • Brera • Arcadian Iconography • Abbozzo • Market • Degas • Grand Tour • N • Cottages • Matteo Casella • Giuseppe Sogni • Applied arts • Mussini • Ingres • Dante’s mask • L • Getty Research Institute • Delacroix

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

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