7 | 2018

Keywords Stanze a boschereccia • Vittorio Pica • Andrea Mantegna • Getty Research Institute • George Augustus Wallis • Belgium • Pattern book • N • Paul Delaroche • Picturesque • Grand Tour • Koch • Veit • 19th Century Italian paintings • Etchings • Abbozzo • Brera • Ambrogio Uboldo • Ingres • La Jeune Belgique • Dante’s mask • Degas • Cottages • Arcadian Iconography • Delacroix • Market • Valenti Gonzaga • Theatre decoration • Claude Monet • Impressionism • Milan • 19th Century French paintings • Francesco Hayez • L • Applied arts • Charles Heathcote Tatham • Experimental series • Academy of Arcadia • James Malton • L’Art Moderne • Salon • Mural painting • Raffaele Vincenzo Barone • Art collections • Joseph Michael Gandy • Papal states • Høyen • Mussini • Cultural exchanges • Giuseppe Sogni • Giuseppe De Nittis • Rome • Cernusco sul Naviglio • Argentinian art • Matteo Casella • Connoisseurship • Titian

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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