7 | 2018

Keywords Art collections • Giuseppe De Nittis • 19th Century French paintings • Brera • Matteo Casella • Etchings • Experimental series • Raffaele Vincenzo Barone • James Malton • Cernusco sul Naviglio • Ingres • Rome • Arcadian Iconography • Titian • Cultural exchanges • Milan • Charles Heathcote Tatham • Andrea Mantegna • L • Delacroix • Abbozzo • Claude Monet • 19th Century Italian paintings • Pattern book • Paul Delaroche • Francesco Hayez • Impressionism • Picturesque • Veit • Market • Degas • N • Connoisseurship • Grand Tour • Argentinian art • Giuseppe Sogni • Stanze a boschereccia • L’Art Moderne • Vittorio Pica • Applied arts • George Augustus Wallis • Academy of Arcadia • Belgium • Dante’s mask • Cottages • Mussini • Salon • Mural painting • Papal states • Koch • Ambrogio Uboldo • La Jeune Belgique • Valenti Gonzaga • Theatre decoration • Høyen • Getty Research Institute • Joseph Michael Gandy

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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