7 | 2018

Keywords Arcadian Iconography • Høyen • La Jeune Belgique • Joseph Michael Gandy • Market • Milan • Degas • George Augustus Wallis • Papal states • Cultural exchanges • Titian • Pattern book • Impressionism • Ambrogio Uboldo • Valenti Gonzaga • Applied arts • James Malton • Stanze a boschereccia • Abbozzo • Argentinian art • Picturesque • Etchings • Veit • Cernusco sul Naviglio • Mussini • Claude Monet • Mural painting • Paul Delaroche • Koch • Salon • Theatre decoration • Belgium • Giuseppe De Nittis • Cottages • Matteo Casella • Academy of Arcadia • Experimental series • Rome • 19th Century French paintings • Dante’s mask • Grand Tour • L’Art Moderne • Giuseppe Sogni • Ingres • Brera • Connoisseurship • Vittorio Pica • Francesco Hayez • L • 19th Century Italian paintings • Art collections • Charles Heathcote Tatham • Getty Research Institute • Delacroix • Andrea Mantegna • N • Raffaele Vincenzo Barone

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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