7 | 2018

Keywords Giuseppe Sogni • Matteo Casella • L • Belgium • Papal states • Picturesque • Experimental series • Brera • Arcadian Iconography • Academy of Arcadia • Veit • Koch • Pattern book • George Augustus Wallis • Giuseppe De Nittis • Cottages • L’Art Moderne • Joseph Michael Gandy • Stanze a boschereccia • Milan • Titian • N • Mussini • James Malton • Valenti Gonzaga • Getty Research Institute • Impressionism • Mural painting • La Jeune Belgique • Argentinian art • Salon • Charles Heathcote Tatham • Delacroix • 19th Century French paintings • Abbozzo • Etchings • Cultural exchanges • Rome • Market • Raffaele Vincenzo Barone • Andrea Mantegna • Degas • Art collections • Connoisseurship • Høyen • Theatre decoration • Ingres • Francesco Hayez • 19th Century Italian paintings • Claude Monet • Cernusco sul Naviglio • Grand Tour • Paul Delaroche • Applied arts • Dante’s mask • Ambrogio Uboldo • Vittorio Pica

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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