7 | 2018

Keywords Andrea Mantegna • Getty Research Institute • Salon • Impressionism • Koch • 19th Century Italian paintings • Degas • Abbozzo • Papal states • L • La Jeune Belgique • Theatre decoration • Dante’s mask • Mussini • Brera • Raffaele Vincenzo Barone • Market • Cultural exchanges • Vittorio Pica • Valenti Gonzaga • Veit • Grand Tour • Etchings • Giuseppe Sogni • Applied arts • Matteo Casella • Delacroix • L’Art Moderne • Art collections • Connoisseurship • Pattern book • Milan • Rome • Mural painting • Picturesque • Francesco Hayez • James Malton • Cottages • Cernusco sul Naviglio • Belgium • Stanze a boschereccia • Høyen • Giuseppe De Nittis • Ambrogio Uboldo • 19th Century French paintings • Academy of Arcadia • Joseph Michael Gandy • Argentinian art • Experimental series • Arcadian Iconography • Titian • N • Ingres • Claude Monet • Paul Delaroche • Charles Heathcote Tatham • George Augustus Wallis

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.