7 | 2018

Keywords Andrea Mantegna • Dante’s mask • Milan • Delacroix • Koch • Paul Delaroche • Stanze a boschereccia • Etchings • Experimental series • Francesco Hayez • Applied arts • Giuseppe Sogni • Rome • Degas • Valenti Gonzaga • Giuseppe De Nittis • Cottages • 19th Century French paintings • L • Grand Tour • Market • Veit • James Malton • Titian • Ingres • Brera • Matteo Casella • Pattern book • Claude Monet • Cernusco sul Naviglio • Connoisseurship • Picturesque • L’Art Moderne • Ambrogio Uboldo • Cultural exchanges • Arcadian Iconography • Theatre decoration • Mural painting • Vittorio Pica • Argentinian art • Abbozzo • Getty Research Institute • Raffaele Vincenzo Barone • Charles Heathcote Tatham • Joseph Michael Gandy • N • Høyen • Papal states • Salon • Art collections • Belgium • George Augustus Wallis • Academy of Arcadia • Impressionism • 19th Century Italian paintings • La Jeune Belgique • Mussini

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

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