Rivista |
MDCCC 1800
Fascicolo monografico | 6 | 2017
Keywords Carlo Ceppi • Fin-de-siècle • Lombardy • Ottoman Turkey • American Art • Russian painters in America • Display • American Artists • Egypt • Costantino Gilodi • Art nouveau • Glasswork • Antonio Salviati • Mosaic • Paris 1867 • Zaragoza • Vienna • Persia • Islamic Art • Industrial arts • World’s Fair • Exhibition • Photography • Weltausstellung • Liberty • Como • Peredvizhniki • Expositions Universelles • Divisionismo • Landscape painting • Avant-garde Exhibitions • Khedive Ismail • Ottoman Empire • Paris • Eclecticism • Simbolism • Adolfo Hohenstein • Cosmopolitanism • Emilio Longoni • Heritage • Surrealism • World’s Columbian Exposition • Eugenio Linati • Colonialism • Giacomo Salvadori • Art Exhibition • World Fairs • Imperial Fine Arts Academy • Commission of monuments • Alessandro Volta • Russian fine art • Decorative arts • Murano • Exposition Universelle
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it
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Osservazioni introduttive
Le arti in mostra. Le esposizioni internazionali del XIX secolo