MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Costantino Gilodi • Art Exhibition • Paris 1867 • Murano • Liberty • Islamic Art • World Fairs • Peredvizhniki • World’s Fair • Exposition Universelle • Egypt • Lombardy • American Art • Eugenio Linati • World’s Columbian Exposition • Colonialism • Expositions Universelles • Divisionismo • Eclecticism • Avant-garde Exhibitions • Khedive Ismail • Ottoman Turkey • Persia • Industrial arts • Antonio Salviati • Carlo Ceppi • Fin-de-siècle • Emilio Longoni • Russian painters in America • Decorative arts • Art nouveau • Giacomo Salvadori • Mosaic • Zaragoza • Display • Alessandro Volta • Glasswork • Ottoman Empire • Adolfo Hohenstein • Landscape painting • Paris • Surrealism • Weltausstellung • Como • Vienna • American Artists • Photography • Heritage • Russian fine art • Cosmopolitanism • Simbolism • Exhibition • Imperial Fine Arts Academy • Commission of monuments

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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