Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Alexander Lensky • French literature • Symbolism • Dramaturgy • Denarrativisation • Direction • Luigi Rasi • Madness • Sleep • Trampled dignity • Valerij Brjusov • De Chirico • Gabriellino d’Annunzio • Actor • Tragedies • Writing • Candour • Tragedy • Theatre • D’Annunzio • Acting • Nikolay Evreinov • Phoné • Actor and dramatist • Eleonora Duse • Episcopo, the ridicolous man • Grotesque melodrama • Royal School of Acting, Florence • Valerij Brjusov • Vanguard • Death • Dramatist • Pirandello • Vera Komissarzhevskaya • Abba • Loves • Fears • Stage • Early sound cinema • Musical Dramaturgy • Carmelo Bene • Career • Francesca da Rimini • Violence and humiliations • Betrayed sentiments • Dramatic writing • Models • Plays • Stage directions • Silent cinema • Malyj Theater • Ruggeri • Theatre production • La Nave • Myth • Publicity launch • Russian theatre • Acting techniques • Changes • Ekphrasis • Translation • Film music • Figlia di Iorio

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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