Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Eleonora Duse • Russian theatre • Pirandello • Figlia di Iorio • Tragedies • La Nave • Malyj Theater • Career • Musical Dramaturgy • Actor • Stage directions • Tragedy • Vanguard • Denarrativisation • Loves • Silent cinema • Publicity launch • Alexander Lensky • Film music • Candour • D’Annunzio • Gabriellino d’Annunzio • Changes • Royal School of Acting, Florence • Stage • Acting techniques • Acting • Actor and dramatist • Theatre production • Direction • Dramatic writing • De Chirico • Phoné • Dramaturgy • Early sound cinema • Nikolay Evreinov • Valerij Brjusov • Carmelo Bene • Abba • Luigi Rasi • Dramatist • Theatre • Grotesque melodrama • Trampled dignity • Vera Komissarzhevskaya • Violence and humiliations • Ruggeri • Francesca da Rimini • Episcopo, the ridicolous man • Fears • Symbolism • French literature • Death • Models • Madness • Sleep • Writing • Betrayed sentiments • Plays • Translation • Myth • Valerij Brjusov • Ekphrasis

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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