Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Carmelo Bene • Stage directions • Eleonora Duse • Malyj Theater • Fears • Tragedy • Actor • Tragedies • Acting techniques • Changes • Ekphrasis • Pirandello • Dramatic writing • Nikolay Evreinov • Direction • Alexander Lensky • Theatre • Grotesque melodrama • Stage • Vanguard • Figlia di Iorio • Symbolism • D’Annunzio • Musical Dramaturgy • French literature • Career • Gabriellino d’Annunzio • De Chirico • Francesca da Rimini • Theatre production • Episcopo, the ridicolous man • Sleep • Publicity launch • Ruggeri • Death • Valerij Brjusov • Valerij Brjusov • Luigi Rasi • Violence and humiliations • Abba • Early sound cinema • Candour • Actor and dramatist • Betrayed sentiments • La Nave • Loves • Madness • Royal School of Acting, Florence • Russian theatre • Silent cinema • Phoné • Vera Komissarzhevskaya • Plays • Writing • Dramatist • Trampled dignity • Denarrativisation • Dramaturgy • Translation • Acting • Models • Film music • Myth

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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