Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Asian Film Festivals • Naturalism • Social networks • Morphemes order • Lopon Tendzin Namdak • Pharaonism • Khitan-led Liao • Bai Juyi • Code-switching • Mother Tantra • Catholic Missions • Festival Programming • Idols • Chinese ceramics • Transformation • Swat • Islamic linguistic thought • word order • Stupa • China’s national image • Arabic language • Poetry • Tokyo International Film Festival • Semantics • Carlo Formichi • History of Oriental Studies • Oreste Nazari • Film Festival Network • Advocacy by Teachers’ Associations • Kan Takayuki • Imperfect • Last day of spring • Resāla-ye musiqi • Wisteria • Karada • Learning through technology • Diptotism • Zola • Tibetan Bon religion • rDzogs chen • Translation • Literary creation • Literary translation • Arabic linguistic tradition • Koranic Hermeneutics • Mao Dun • Sanskrit Studies in Italy • Localisation • 2011 protests • Realism • Symbolic capital • Areal distribution • History of Indian Studies in Italy • Alfred Faraǧ • Stair-risers • Frontier clients • Civilisation • Sinitic Poetry • Shintai • Heian Japan • Taiping Guangji • Political power • Definiteness • Kanke bunsō • Brand China • Public service advertising • Associations of Japanese Language Teachers in Euro • Akbarian studies • Corporeality and language • Sugawara no Michizane • Language contact • Morphological change • Faraḥ Šammā • Longquan kilns • Time • Reforms and cooperation • 20FM • Laohudong kilns • Standard Hindī • Hindī varieties • Persian poetry • Arabic article • Armenian dialects • Socialism • Nikutai • Egyptian playwrights • Literary theory • Body • Spoken word • Daibei • Words • Buddhist architecture • Ape • Monkey • Poetic imagery • Digital humanities • Ge ware • Ancient Chinese literature • Informal language learning • Gandhara • Yaʿqūb Ṣanūʿ • Spoken Hindī • Poetry Banquet • Flower • Fujiwara no Yoshifusa • Virtual reality • Oḍi-rajas • Ichikawa Hiroshi • Morocco • Guan ware • Okina • Theory of translation • Olympic spectacle • Shatuo • Leftist parties • Virtual worlds • No-Level Brick Language Education (NoLBrick) • Cultural innovation • Japanese language • Ambiguity • Asianness • The feminism debate • Political dissent • Tang-Song transition • Pharaohs • Kidendō • The “New Life” Movement • Beijing 2008 • Uno Kuniichi • Teacher’s Cooperation among and beyond Europe • Tawfīq al-Ḥakīm • Urmia • Mi • Japanese Language Education • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Pre-Islamic • Armenian • Musical instruments • Song Meiling • ʿAlī Aḥmad Bākaṯīr • Global visibility • Chushou • Translation policy • Yu Dafu

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Pubblicato 30 Giugno 2021 | Lingua it, en

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