Collana |
Quaderni di Venezia Arti
Volume 5 | Miscellanea | Behind the Image, Beyond the Image
Behind the Image, Beyond the Image
open access-
a cura di
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Lorenzo Gigante - Università Ca’ Foscari Venezia, Italia - email
- Anastasia Kozachenko-Stravinsky - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin imago, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book Behind the Image: The Art of Reading Paintings, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality.
Keywords Khrushchev’s Thaw • Photographic display • Architecture theory • Collecting in Rome • Ecclesiology • Site-specific • Giorgio Vasari • Intermediality • Diplomatic gift • Exhibition studies • Constructivism • Dionysus • Giovanni Baglione • Pavel Lamm • Hudinilson Jr • Curatorial studies • France • Aesthetics • Entropy • Miraculous images • Image • Sculpture • Violin • Hagiography • Igor Stravinsky • Painting of souvenirs • Image theory • Informal art • Society of Easel Painters • Stage • Holy fool • Baroque • Politics • Soviet criticism • Moscow Olympic Games • Art market • Sam Durant • Boris Godunov • Russian opera • Narcissus • Italian postwar art • Xerox Actions • Art in public space • Robert Smithson • Architecture representation • Socially engaged art • Sport animation • History of collections • Paintings • Iconology • Plato • Morazzone • Myth • Franciscanism • Architecture • Monuments • Response • Toppled Monuments Archive • Landscape • Steve McQueen • Italy • Russian European • Masculinity • Word-picture relationship • Rome • Oil sketches • Mirror • Woodcut • Liu Yonggang • Chinese Contemporary art • Sedimentation • Burov • Grand Tour • Lombardy • Epidemic • La Scala • Theology • Sketch • Vittorio Gui • Cinema • Photography in public space • Situation • Cultural tradition • Madonna del Fuoco • Allison Stewart • Re-iconocity of characters • Nikolay Rimsky-Korsakov • 刘永刚 • Drawing • Multidisciplinary • Participation • Sport • Khovanshchina • Zeitbild • Memory • Fifteenth century • Music • Banksy • Animals • Miss Julie • Saint Sebastian • Visual Culture Studies • Modest Musorgsky • Time • Performative Languages • 当代艺术 • Soviet caricatures • Boris Asafyev • Self-image • Ri-mediation • Bologna • Black Lives Matter • Jacopo Ligozzi • Russian opera in Italy • Screen • The image of sport • Robert Craft • Art and power • Xenia Stravinsky • Exhibitions • Theatre • Activation • Exhibition set up • Soviet animation • Art criticism • City of 20th century • Seventeenth century • Return to USSR • Soviet art theory • Contemporary art • Kant • Epiphany • Small-sized paintings • Heidegger • Engagement • Land Art • National identity • Philosophy • JR • Historiography • 1962 • Iconotext • Pseudomorphosis • Christiane Jatahy • Mary Tibaldi Chiesa • Visual • Know thyself • Katie Mitchell • Architecture exhibition • Iconoclasm • Pimenov • Media • European art • Religious metaphor
Permalink http://doi.org/10.30687/978-88-6969-588-9 | e-ISBN 978-88-6969-588-9 | Pubblicato 13 Maggio 2022 | Lingua ru, it, en
Copyright © 2022 Giovanni Argan, Lorenzo Gigante, Anastasia Kozachenko-Stravinsky. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
