Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Medieval Apulia • Imperfect • Lorenzo Veneziano • Paggi • Stories of Theodelinda • Permanence • Illusion • Authorship • Romanesque (France) • Archive Footage • Essay Film • Art workshops • Memorial • Volvinus • Museum display • Soliani • Self-staging • Contemporary Art • 1968 • Duplication • Cathedral at Monza • Literacy • Signature • Galleria La Salita • Epigraphy • Found Footage • Arnolfini • Happening • Rebus • Invention of the Artist • Parapet • Alighiero Boetti • Angilbertus • Woodcut • Medieval Epigraphy • Photography • Artists’ names • Faciebat • Pino Pascali • Sanatorium • Inscription • 1972 • Bacchanal • Genoa • Morganatic Marriage • Jan van Eyck • Byzantine epigraphy • Samuel Beckett's Film • Medieval Artist • Museo Storico Navale • Intellectual • Byzantine artist • Art history • Toponym • Anonymity • Golden Altar • Parma • Andri • Annunciation • Modern painting • Tiziano • Devotion • Zavattari • Woodblocks • Written culture • Edvard Munch • Iconology • Clinic • Requiescat in Pace Corradinus • Gothic Venetian Painting • Torre Astura

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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