Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Angilbertus • Arnolfini • Annunciation • Sanatorium • Pino Pascali • Happening • Woodblocks • Inscription • Gothic Venetian Painting • Lorenzo Veneziano • Medieval Artist • Photography • Epigraphy • Paggi • Art history • Soliani • Written culture • Morganatic Marriage • Jan van Eyck • Parma • Bacchanal • Found Footage • Genoa • Parapet • Archive Footage • Invention of the Artist • Golden Altar • Medieval Epigraphy • Requiescat in Pace Corradinus • Edvard Munch • Alighiero Boetti • Permanence • Stories of Theodelinda • Duplication • Authorship • Cathedral at Monza • Devotion • Museum display • 1968 • Anonymity • Imperfect • Literacy • Medieval Apulia • Art workshops • Byzantine artist • Romanesque (France) • Volvinus • Signature • Tiziano • Essay Film • Self-staging • Woodcut • Illusion • Contemporary Art • Memorial • Toponym • Samuel Beckett's Film • Iconology • Modern painting • Torre Astura • Zavattari • Rebus • Andri • Clinic • Byzantine epigraphy • Galleria La Salita • 1972 • Intellectual • Museo Storico Navale • Faciebat • Artists’ names

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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