Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 26 | 2017

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Essay Film • Pino Pascali • Gothic Venetian Painting • Cathedral at Monza • Soliani • Imperfect • Torre Astura • Memorial • Archive Footage • Samuel Beckett's Film • Happening • Galleria La Salita • Contemporary Art • Intellectual • Medieval Artist • Rebus • Medieval Epigraphy • Romanesque (France) • Self-staging • Paggi • Edvard Munch • Woodblocks • Duplication • Morganatic Marriage • Sanatorium • Signature • 1968 • Invention of the Artist • Literacy • Museo Storico Navale • Golden Altar • Alighiero Boetti • Tiziano • Permanence • Requiescat in Pace Corradinus • Anonymity • Stories of Theodelinda • Arnolfini • Andri • Annunciation • Toponym • Art history • Iconology • Authorship • Byzantine artist • Clinic • Parapet • Volvinus • Found Footage • Bacchanal • Genoa • Art workshops • Zavattari • Byzantine epigraphy • Angilbertus • 1972 • Devotion • Medieval Apulia • Modern painting • Lorenzo Veneziano • Museum display • Illusion • Artists’ names • Inscription • Faciebat • Jan van Eyck • Woodcut • Epigraphy • Parma • Written culture • Photography

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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