Journal |
Rassegna iberistica
Journal issue | 45 | 118 | 2022
Keywords Fira del Llibre de Frankfurt • Didáctica virtual • Stereotipi • Quim Monzó • Italian silent cinema • Syria Poletti • Writing process • Haiku • Virtual learning • Catalan culture • Dimensión afectiva • Twenty-first century women’s cartoneras • Fiaba • Motivation • Colaboración • Non-verbal communication • Edicions pòstumes • Silent cinema • Rosa Montero • Premi Nobel • Gender • Biography • Narrativa femminile • Jorge de Sena • Historia del cine español • Novela • La mort i la primavera • History of Spanish cinema • Mercè Rodoreda • Polèmica literària • Haicai • Coproducción cinematográfica • Interaction • Death in Spring • Fairy tale • Cine mudo • Science • Normalització • Affective dimension • Normalisation • Second languages • Eloísa Cartonera • Novel • Collaboration • Interpretació hermenèutica • Luisa Valenzuela • Motivación • Buenos Aires • Genere • Comunicación • Tradução de Poesia • Marie Curie • Literatura criminal argentina • Comunicación no verbal • Distribución cinematográfica • Segundas lenguas • Biografía • Cultura catalana • Didáctica a distancia • Ciencia • Frankfurt Book Fair • María Angélica Bosco • Procés d’escriptura • Pastiche • Rol docente • Argentine crime literature • Catalan literature • Posthumous editions • Bashô • Hermeneutic interpretation • Communication • Interacción • Cine mudo italiano • Géneros poéticos • Distance learning • Silvina Ocampo • Diario • Literary polemics • Cinema distribution • Film co-production • Literatura catalana • Poetry translation • Diary • Cartoneras del siglo XXI • Stereotypes • Women’s fiction • Nobel Prize
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language pt, it, ca, es
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