Journal |
Rassegna iberistica
Journal issue | 45 | 118 | 2022
Keywords Twenty-first century women’s cartoneras • Frankfurt Book Fair • Normalisation • Biografía • Ciencia • Nobel Prize • Virtual learning • Colaboración • Stereotypes • Eloísa Cartonera • Biography • Comunicación no verbal • Catalan literature • Silent cinema • Comunicación • Interacción • Premi Nobel • Novel • Interpretació hermenèutica • Literatura criminal argentina • Haiku • Argentine crime literature • Géneros poéticos • Second languages • Quim Monzó • Cultura catalana • Poetry translation • History of Spanish cinema • Rosa Montero • Segundas lenguas • Communication • Stereotipi • Posthumous editions • Rol docente • Literatura catalana • Cartoneras del siglo XXI • Diary • Catalan culture • Motivation • Historia del cine español • Genere • Science • Novela • Polèmica literària • Jorge de Sena • Interaction • Didáctica a distancia • Distribución cinematográfica • Collaboration • Narrativa femminile • Tradução de Poesia • Diario • María Angélica Bosco • Marie Curie • Distance learning • Non-verbal communication • Cine mudo • Hermeneutic interpretation • Literary polemics • Buenos Aires • Writing process • Bashô • Gender • Coproducción cinematográfica • Cinema distribution • Film co-production • Haicai • Syria Poletti • Fira del Llibre de Frankfurt • Procés d’escriptura • La mort i la primavera • Normalització • Fairy tale • Death in Spring • Dimensión afectiva • Didáctica virtual • Edicions pòstumes • Fiaba • Affective dimension • Motivación • Silvina Ocampo • Mercè Rodoreda • Luisa Valenzuela • Italian silent cinema • Women’s fiction • Pastiche • Cine mudo italiano
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language ca, pt, it, es
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