Journal | Rassegna iberistica
Journal issue | 45 | 118 | 2022
Keywords Women’s fiction • Stereotipi • Distribución cinematográfica • Syria Poletti • Segundas lenguas • Haiku • Affective dimension • Second languages • Haicai • María Angélica Bosco • Biografía • Comunicación • Didáctica a distancia • History of Spanish cinema • Procés d’escriptura • La mort i la primavera • Fiaba • Cine mudo italiano • Normalització • Literatura criminal argentina • Quim Monzó • Twenty-first century women’s cartoneras • Silvina Ocampo • Edicions pòstumes • Dimensión afectiva • Marie Curie • Poetry translation • Communication • Hermeneutic interpretation • Narrativa femminile • Diary • Normalisation • Rosa Montero • Argentine crime literature • Mercè Rodoreda • Comunicación no verbal • Interacción • Didáctica virtual • Silent cinema • Polèmica literària • Film co-production • Death in Spring • Coproducción cinematográfica • Buenos Aires • Genere • Science • Motivación • Jorge de Sena • Posthumous editions • Novela • Virtual learning • Fira del Llibre de Frankfurt • Distance learning • Non-verbal communication • Literatura catalana • Fairy tale • Collaboration • Luisa Valenzuela • Pastiche • Diario • Interaction • Catalan culture • Biography • Motivation • Géneros poéticos • Frankfurt Book Fair • Bashô • Eloísa Cartonera • Catalan literature • Stereotypes • Premi Nobel • Cultura catalana • Writing process • Nobel Prize • Rol docente • Cinema distribution • Ciencia • Italian silent cinema • Cine mudo • Gender • Historia del cine español • Interpretació hermenèutica • Literary polemics • Colaboración • Cartoneras del siglo XXI • Novel • Tradução de Poesia
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, pt, it, ca
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