Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Paisaje • Bernardo Atxaga • Nationalism • | Castelao • Poetry • Ideology • Landscape • Einaudi editore • Negritud • Inmigrante • Reticencia • Italo Calvino • Mitos mapuches • Editoria • Hispano-American literature • Reticence • Paralipsis • Critica • Narrative perspective • | Wilcock • Artistic deformation • Borges • | Literatura española contemporánea • Técnicas retóricas • Hibridismo cultural • | Inmigración • Miguel Ángel Hernández • Lagunas textuales • Cultural hybridity • Textual lacunas • Contemporary Spanish literature • Estructura social • | Benito Pérez Galdós • Mapuche myths • Misoginia • Poesía • Romances of Chivalry • Immigration • | Deformación artística • Castelao • Ecology • | Assaig • Nacionalisme • Desert conquest • | Conquista del desierto • Ciència social • Dialogo letterario • Negrismo • Valerián de Hungría • Aposiopesis • Barroco • Social structure • Ecología • Paradosso • Literatura • España • Dibuxos grabados • Figurativización • Poetical discourse • Women • Wilcock • Caballero Bonald • Paradox • Cuba vanguardias • Libri di cavalleria • Galdós’ novels • Letteratura ispanoamericana • Bellezza • Cuban avant-garde • Publishing industry • Mujer • Literature • Immigrant • Ideologia • Novelas • Nonfiction • Spanish Republic • Surrealism • Baroque • Sociology of language • Rhetorical techniques • No ficción • Surrealismo • | Bernardo Atxaga • Misogyny • Discurso • True crime • Social science • Mise en abyme • El dolor de los demás • Identity • True Crime • Cinema • | Valerián de Hungría • Essay • Puesta en perspectiva narrativa • Criticism • Literary dialogues • Sociologia de la llengua • Negros • El dolor los demás • García Maroto • Beauty • | Italo Calvino • Identidad

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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