Journal |
Rassegna iberistica
Journal issue | 42 | 111 | 2019
Keywords Landscape • Técnicas retóricas • Identity • Wilcock • Publishing industry • Cultural hybridity • Nacionalisme • | Italo Calvino • Ciència social • Aposiopesis • Figurativización • Borges • Baroque • Poesía • Cinema • Lagunas textuales • Castelao • Caballero Bonald • Estructura social • Paradox • Spanish Republic • True crime • Social science • Mujer • Literatura • Critica • Misogyny • Mapuche myths • Paralipsis • Poetical discourse • Literature • Women • Puesta en perspectiva narrativa • Bellezza • España • Einaudi editore • Immigrant • Paradosso • Textual lacunas • Sociology of language • Nationalism • Hispano-American literature • Galdós’ novels • Narrative perspective • Negros • Desert conquest • | Valerián de Hungría • | Wilcock • | Bernardo Atxaga • Rhetorical techniques • Sociologia de la llengua • Negritud • Cuba vanguardias • Hibridismo cultural • Nonfiction • | Assaig • El dolor de los demás • Inmigrante • Beauty • Cuban avant-garde • Artistic deformation • | Inmigración • Mise en abyme • Novelas • Misoginia • Miguel Ángel Hernández • Reticence • | Literatura española contemporánea • Essay • Bernardo Atxaga • Ideologia • Contemporary Spanish literature • Identidad • No ficción • Italo Calvino • | Conquista del desierto • Ecología • Negrismo • Ecology • Libri di cavalleria • Criticism • | Castelao • Letteratura ispanoamericana • | Benito Pérez Galdós • Ideology • Surrealism • Mitos mapuches • Reticencia • | Deformación artística • Editoria • Immigration • Discurso • Poetry • Romances of Chivalry • True Crime • El dolor los demás • Dialogo letterario • Dibuxos grabados • Paisaje • Literary dialogues • Social structure • García Maroto • Barroco • Surrealismo • Valerián de Hungría
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es
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