Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords No ficción • Ideology • Misogyny • Mitos mapuches • Técnicas retóricas • Valerián de Hungría • Mapuche myths • Aposiopesis • Nonfiction • Negrismo • Contemporary Spanish literature • Romances of Chivalry • Nacionalisme • Novelas • Italo Calvino • Dialogo letterario • Cultural hybridity • True Crime • Rhetorical techniques • | Deformación artística • | Benito Pérez Galdós • España • Immigrant • Baroque • Narrative perspective • Identity • Sociologia de la llengua • Paradox • Artistic deformation • Paradosso • Letteratura ispanoamericana • Beauty • Paralipsis • | Inmigración • | Assaig • Reticencia • Bellezza • Editoria • Sociology of language • Wilcock • | Wilcock • Desert conquest • | Valerián de Hungría • Lagunas textuales • | Italo Calvino • Puesta en perspectiva narrativa • Caballero Bonald • Barroco • | Bernardo Atxaga • García Maroto • Ecología • Poesía • Reticence • Poetical discourse • Essay • Inmigrante • Misoginia • Hibridismo cultural • Textual lacunas • Spanish Republic • Identidad • Bernardo Atxaga • Ecology • Nationalism • True crime • Poetry • Surrealismo • Borges • Mujer • Women • Paisaje • Social structure • Mise en abyme • Social science • Dibuxos grabados • Ideologia • Immigration • Libri di cavalleria • | Literatura española contemporánea • Figurativización • Negritud • Literature • Miguel Ángel Hernández • Cuba vanguardias • Einaudi editore • Critica • Literatura • Discurso • Criticism • Literary dialogues • Publishing industry • | Castelao • Castelao • Cinema • | Conquista del desierto • El dolor los demás • Landscape • El dolor de los demás • Negros • Cuban avant-garde • Galdós’ novels • Hispano-American literature • Estructura social • Surrealism • Ciència social

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

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