Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Soundscape • Vulnerability • Imperial taboo • Censorship • Literature and Cinema • Ontological securitisation • Statues • Extinction studies • Radio • Subalternity • New historicism • Marginalisation • Psychopolitics • China • National cinema • Transgender • Taiwan cinema • Meiji Restoration • Historical narrative • Negotiation • Cold War, Cultural Diplomacy, Modern Dance, United • Loudspeaker • Feminism • Fragility • Decolonization • Neo-Marxism • Authorship • Noise • Postcolonial studies • Public sympathy • Resistance • Critical theory • Neoliberalism • Marketisation • COVID-19 • Cultural analysis • Sexual assault • Precarity • Necropolitics • Necrocene • Taiwanese identity • Sound • Chinese art-house cinema • Theatre of power • Art-house cinema • Moral panics • Political space
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.