Series |
Antiquity Studies
Volume 25 | Edited book | Epigraphic Falsification
Abstract
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity.
Keywords Aquileia • Council of Trent • Forged inscriptions • Digital editions • F • G • CIL VI 990* • Manuscript • John Disney • Johns Hopkins Archaeological Museum • Primacy of Sardinia • Casa Museo dell’Antiquariato Ivan Bruschi • Pseudo-antique palaeography • Savoy Piedmont • Thomas Hollis • Spain • Lex de imperio Vespasiani Antonio Agustín • Forgeries • House of Savoy • Coarse altar • Fake • Fitzwilliam Museum • Forged blunder • Lucas Peto • Copies • CIL VI 991* • Luigi Biraghi • Epigraph balanced between dimensions and inscripti • Classical scholarship • Renaissance • Christian forgeries • Lepontic • Mariangelo Accursio • Epigraphy • Internet • Manuscripts • Inscribed zone as decorative surface • Latin epigraphy • Meyranesio • Roman Liguria • Forgery • Cities • Intellectual history • Counterfeit instrumentum inscriptum • Non-alphabetic graphemes • Ager Mediolanensis • Antiquarian market in the early 1900s • Aqua Vergine • Marche • Epigraphic forgeries on paper • Epigraphic models • False inscriptions • Pingone • Antonio Trevisi • Senatus consultum • Epitaph • Decretum Rubiconis • Antiquarians • Amphora • Printed editions • Ciriaco de’ Pizzicolli • Documentary forgeries • Epigraphic forgeries • Epigraphic research • Jacopo Valvasone • Pirro Ligorio • Fake inscriptions • Critical editions • Aqueducts • Ancient restorations • Spurious imitations • Latin poets of Renaissance • Theodor Mommsen
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 16, 2019 | Language it, fr, en
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.