Le donne artiste alla Biennale d’arte di Venezia

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DC Field	Value
dc.identifier	ECF_chapter_3457
dc.contributor.author	Coidessa Clarissa
dc.title	Le donne artiste alla Biennale d’arte di Venezia. Le scultrici e le prime edizioni (1895-1912)
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This study on the theme of female participation at Venice Biennale from 1895 to 1995 contains data that allow us to outline the history of their participation, also in comparison of the male one. In order to limit the number of the analised artists and in order to carry out a more in-depth analysis, the first ten editions of Venice Biennale (1895-1912) were chosen: for this reason, the sculpture sector was also preferred as case study. A specific situation of the Venetian exhibition has been discovered. The artistic training of some sculptors and the study of art history made it possible to understand the role of women.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/le-donne-artiste-alla-biennale-darte-di-venezia/
dc.identifier.doi	10.30687/978-88-6969-366-3/004
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1895-1912
dc.subject	1895-1912
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Women artists
dc.subject	Women artists

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Le donne artiste alla Biennale d’arte di Venezia

Le scultrici e le prime edizioni (1895-1912)

Clarissa Coidessa Università Ca’ Foscari Venezia, Italia

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abstract

This study on the theme of female participation at Venice Biennale from 1895 to 1995 contains data that allow us to outline the history of their participation, also in comparison of the male one. In order to limit the number of the analised artists and in order to carry out a more in-depth analysis, the first ten editions of Venice Biennale (1895-1912) were chosen: for this reason, the sculpture sector was also preferred as case study. A specific situation of the Venetian exhibition has been discovered. The artistic training of some sculptors and the study of art history made it possible to understand the role of women.

Published

Dec. 18, 2019

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ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Venice Biennale • 1895-1912 • Women artists • Sculpture

permalink: http://doi.org/10.30687/978-88-6969-366-3/004

Copyright: © 2019 Clarissa Coidessa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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