Series |
Storie dell’arte contemporanea
Edited book | Storie della Biennale di Venezia
Chapter | Le donne artiste alla Biennale d’arte di Venezia
Abstract
This study on the theme of female participation at Venice Biennale from 1895 to 1995 contains data that allow us to outline the history of their participation, also in comparison of the male one. In order to limit the number of the analised artists and in order to carry out a more in-depth analysis, the first ten editions of Venice Biennale (1895-1912) were chosen: for this reason, the sculpture sector was also preferred as case study. A specific situation of the Venetian exhibition has been discovered. The artistic training of some sculptors and the study of art history made it possible to understand the role of women.
Published Dec. 18, 2019 | Language: it
Keywords 1895-1912 • Women artists • Sculpture • Venice Biennale
Copyright © 2019 Clarissa Coidessa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/004
Storie della Biennale: nuove ricerche
Mapping pavilions
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Coidessa, Clarissa. ‘Le Donne Artiste Alla Biennale D’arte Di Venezia’. Storie Dell’arte Contemporan...
Coidessa, Clarissa. ‘Le Donne Artiste Alla Biennale D’arte Di Venezia’. Storie dell’arte contemporan...
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3457 |
dc.contributor.author |
Coidessa Clarissa |
dc.title |
Le donne artiste alla Biennale d’arte di Venezia. Le scultrici e le prime edizioni (1895-1912) |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
This study on the theme of female participation at Venice Biennale from 1895 to 1995 contains data that allow us to outline the history of their participation, also in comparison of the male one. In order to limit the number of the analised artists and in order to carry out a more in-depth analysis, the first ten editions of Venice Biennale (1895-1912) were chosen: for this reason, the sculpture sector was also preferred as case study. A specific situation of the Venetian exhibition has been discovered. The artistic training of some sculptors and the study of art history made it possible to understand the role of women. |
dc.relation.ispartof |
Storie dell’arte contemporanea |
dc.relation.ispartof |
Atlante delle Biennali |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-18 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/le-donne-artiste-alla-biennale-darte-di-venezia/ |
dc.identifier.doi |
10.30687/978-88-6969-366-3/004 |
dc.identifier.issn |
2610-9905 |
dc.identifier.eissn |
2610-9891 |
dc.identifier.isbn |
978-88-6969-367-0 |
dc.identifier.eisbn |
978-88-6969-366-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
1895-1912 |
dc.subject |
1895-1912 |
dc.subject |
Sculpture |
dc.subject |
Sculpture |
dc.subject |
Venice Biennale |
dc.subject |
Venice Biennale |
dc.subject |
Women artists |
dc.subject |
Women artists |
Download data |
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