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DC Field	Value
dc.identifier	ECF_chapter_3461
dc.contributor.author	Mantoan Diego
dc.title	«All We Are Saying Is Give Pizza Chance». L’effetto YBA e l’irruzione di una nuova generazione alle Biennali degli anni Novanta del Novecento
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The chapter addresses the rise of the Young British Artists (YBA) in their home country and their subsequent international spread during the 1990s as seen in connection with the Venice Biennale occurring between 1993 and 2003. Particularly, the author argues that the Aperto ’93 section devoted to young artists at the Arsenale for the 45th Biennale was an unexpected starting point for the YBAs on the global stage and their first Venetian appraisal convinced home institutions such as the British Council to finance a large program of international exhibitions for this new artistic generation. Throughout the 1990s the Biennale thus became a major stage for the rising YBAs, which in turn deeply influenced the artistic language and installation practices shown at the Venetian exhibition. In conclusion, the chapter intends to present the 1990s at the Biennale as a decade of progressive struggle between different artistic generations – of both artists and curators – that climaxed with the 50th Biennale in 2003 and eventually shaped the new face of the Venetian exhibitions for the new millennium.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/all-we-are-saying-is-give-pizza-chance/
dc.identifier.doi	10.30687/978-88-6969-366-3/016
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Achille Bonito Oliva
dc.subject	Achille Bonito Oliva
dc.subject	Aperto ’93
dc.subject	Aperto ’93
dc.subject	Francesco Bonami
dc.subject	Francesco Bonami
dc.subject	General Release
dc.subject	General Release
dc.subject	Young British Artists
dc.subject	Young British Artists

Chapter
open access

«All We Are Saying Is Give Pizza Chance»

L’effetto YBA e l’irruzione di una nuova generazione alle Biennali degli anni Novanta del Novecento

Diego Mantoan Università degli Studi di Palermo, Italia

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abstract

The chapter addresses the rise of the Young British Artists (YBA) in their home country and their subsequent international spread during the 1990s as seen in connection with the Venice Biennale occurring between 1993 and 2003. Particularly, the author argues that the Aperto ’93 section devoted to young artists at the Arsenale for the 45th Biennale was an unexpected starting point for the YBAs on the global stage and their first Venetian appraisal convinced home institutions such as the British Council to finance a large program of international exhibitions for this new artistic generation. Throughout the 1990s the Biennale thus became a major stage for the rising YBAs, which in turn deeply influenced the artistic language and installation practices shown at the Venetian exhibition. In conclusion, the chapter intends to present the 1990s at the Biennale as a decade of progressive struggle between different artistic generations – of both artists and curators – that climaxed with the 50th Biennale in 2003 and eventually shaped the new face of the Venetian exhibitions for the new millennium.

Published

Dec. 18, 2019

Language

ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Francesco Bonami • Aperto ’93 • Achille Bonito Oliva • Young British Artists • General Release

permalink: http://doi.org/10.30687/978-88-6969-366-3/016

Copyright: © 2019 Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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