Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Essay Film • Jan van Eyck • Intellectual • Medieval Artist • Genoa • Alighiero Boetti • Morganatic Marriage • Angilbertus • Parapet • Romanesque (France) • Soliani • Tiziano • Toponym • Museo Storico Navale • Lorenzo Veneziano • Permanence • Cathedral at Monza • Duplication • Clinic • Art workshops • Woodblocks • Art history • Epigraphy • Signature • Torre Astura • Written culture • Faciebat • Stories of Theodelinda • Edvard Munch • 1972 • Anonymity • Byzantine epigraphy • Imperfect • Devotion • Contemporary Art • Sanatorium • Byzantine artist • Happening • Iconology • Found Footage • Inscription • Requiescat in Pace Corradinus • Samuel Beckett's Film • Parma • Illusion • Golden Altar • Paggi • Medieval Apulia • 1968 • Self-staging • Literacy • Modern painting • Woodcut • Artists’ names • Pino Pascali • Galleria La Salita • Zavattari • Bacchanal • Medieval Epigraphy • Rebus • Annunciation • Gothic Venetian Painting • Invention of the Artist • Volvinus • Authorship • Memorial • Museum display • Arnolfini • Archive Footage • Andri • Photography

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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