Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Galleria La Salita • Duplication • Clinic • Essay Film • Lorenzo Veneziano • Sanatorium • Angilbertus • Faciebat • Iconology • Medieval Epigraphy • Parapet • Authorship • Archive Footage • Illusion • Toponym • Intellectual • Devotion • Memorial • Annunciation • Bacchanal • 1972 • Edvard Munch • Modern painting • Paggi • Arnolfini • Parma • Self-staging • Signature • Art history • Art workshops • Photography • Epigraphy • Soliani • Medieval Artist • Jan van Eyck • Contemporary Art • Woodcut • Byzantine artist • Medieval Apulia • Inscription • Stories of Theodelinda • Written culture • Gothic Venetian Painting • Morganatic Marriage • Invention of the Artist • Cathedral at Monza • Romanesque (France) • Volvinus • Alighiero Boetti • Anonymity • Woodblocks • Samuel Beckett's Film • Byzantine epigraphy • Found Footage • Literacy • Rebus • Golden Altar • Andri • Pino Pascali • Happening • Museum display • Torre Astura • Permanence • Museo Storico Navale • Requiescat in Pace Corradinus • Imperfect • Zavattari • 1968 • Tiziano • Artists’ names • Genoa

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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