Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Galleria La Salita • Requiescat in Pace Corradinus • Authorship • Imperfect • Photography • Byzantine artist • Gothic Venetian Painting • Soliani • Toponym • Written culture • Contemporary Art • Romanesque (France) • Art history • Woodcut • Medieval Apulia • Anonymity • Archive Footage • Iconology • Genoa • Faciebat • Permanence • Artists’ names • Medieval Epigraphy • Happening • Annunciation • Museo Storico Navale • Tiziano • Self-staging • Arnolfini • Illusion • Paggi • Inscription • Pino Pascali • Samuel Beckett's Film • Rebus • Devotion • Epigraphy • Invention of the Artist • Art workshops • Woodblocks • Bacchanal • Signature • Memorial • Found Footage • Sanatorium • Cathedral at Monza • Zavattari • Volvinus • Duplication • Byzantine epigraphy • Alighiero Boetti • Essay Film • Stories of Theodelinda • Edvard Munch • Torre Astura • Clinic • Andri • Golden Altar • Lorenzo Veneziano • Jan van Eyck • 1968 • Literacy • Morganatic Marriage • Museum display • Medieval Artist • Modern painting • 1972 • Intellectual • Parapet • Angilbertus • Parma

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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