Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 26 | 2017

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Galleria La Salita • Modern painting • Morganatic Marriage • Art workshops • Happening • Gothic Venetian Painting • Inscription • Alighiero Boetti • Written culture • Clinic • Museo Storico Navale • Byzantine epigraphy • Found Footage • Museum display • 1968 • Memorial • Iconology • Cathedral at Monza • Samuel Beckett's Film • Woodcut • Authorship • Contemporary Art • Archive Footage • Essay Film • Self-staging • Torre Astura • Golden Altar • Bacchanal • Annunciation • Volvinus • Epigraphy • Invention of the Artist • Woodblocks • Parma • Literacy • Rebus • Medieval Epigraphy • Soliani • Zavattari • Lorenzo Veneziano • Medieval Artist • Requiescat in Pace Corradinus • Arnolfini • Genoa • Paggi • Signature • Parapet • Artists’ names • Edvard Munch • Faciebat • Pino Pascali • Tiziano • Byzantine artist • Permanence • Andri • Sanatorium • Intellectual • Angilbertus • Imperfect • Photography • Stories of Theodelinda • Medieval Apulia • Anonymity • Illusion • Devotion • Jan van Eyck • Romanesque (France) • Duplication • Toponym • 1972 • Art history

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 420
  • search 1657
  • format_quote 0