Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Romanesque (France) • Authorship • Memorial • Torre Astura • Zavattari • Annunciation • Museum display • Anonymity • Toponym • Medieval Apulia • Volvinus • Angilbertus • Essay Film • Woodblocks • Clinic • Contemporary Art • Arnolfini • Inscription • Rebus • Parma • Edvard Munch • Duplication • Written culture • Cathedral at Monza • Paggi • Requiescat in Pace Corradinus • Imperfect • Museo Storico Navale • Devotion • Photography • Byzantine artist • Illusion • Permanence • Sanatorium • Found Footage • Golden Altar • Artists’ names • Morganatic Marriage • Soliani • Galleria La Salita • Happening • Alighiero Boetti • Byzantine epigraphy • Faciebat • Art history • Bacchanal • Invention of the Artist • Lorenzo Veneziano • Medieval Artist • Medieval Epigraphy • Iconology • Samuel Beckett's Film • 1968 • Gothic Venetian Painting • Andri • Signature • Epigraphy • Jan van Eyck • Literacy • Woodcut • Pino Pascali • Art workshops • Genoa • Modern painting • Self-staging • Stories of Theodelinda • Tiziano • 1972 • Archive Footage • Intellectual • Parapet

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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