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The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
Language: en
Published: Dec. 21, 2020
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Keywords vpn_key keyboard_arrow_down
Olalla • George Eliot • The Sublime • Virginia Woolf • Narrative • Realism • Foley effects • Marvellous • Robert Louis Stevenson • Uncanny • Genre • Ghost Story • Psycho-acoustic ambience • Stevenson • Ann Radcliffe • Hybridity • Religious and political propaganda • Fin de siècle • Deformed pigs • Empiricism • Space • Wells • Mimetic Dimension • Harriet Beecher Stowe • Gothic Novel • Elizabethan England • Escapism • Gothic • Monstrous births • Mysticism • Late-Victorian Context • Form • Supernatural Horror • Edmund Burke • Spiritualism • Monsters • Romance • Aesthetic Culture • Fantastic • Ruyard Kipling • Border-crossing • Aesthetics • Horace Walpole • Victorian Era • Narrative Annexe • Joseph Conrad • Islands • The Castle of Otranto • Doyle • Street literature • Gothic novel • Henry James • Supernatural • Vampire • The ‘Aesthetic Fantastic’ • The Mysteries of Udolpho • Transatlantic literature • Geopoetics
This work is licensed under a
Creative Commons Attribution 4.0 International Public License
Table of contents
Introduction
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Section 1. The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
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Section 2. Miscellany
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