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The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
Language: en
Published: Dec. 21, 2020
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Keywords vpn_key keyboard_arrow_down
Late-Victorian Context • Supernatural • Mimetic Dimension • Vampire • Psycho-acoustic ambience • Fantastic • Robert Louis Stevenson • Edmund Burke • Gothic Novel • Horace Walpole • The ‘Aesthetic Fantastic’ • Form • Deformed pigs • Gothic novel • Supernatural Horror • Escapism • The Mysteries of Udolpho • Gothic • Empiricism • Wells • Narrative Annexe • Foley effects • Border-crossing • Victorian Era • Olalla • Aesthetic Culture • Joseph Conrad • Spiritualism • George Eliot • Marvellous • Fin de siècle • Street literature • Hybridity • Transatlantic literature • Genre • Mysticism • Stevenson • The Sublime • Doyle • Ann Radcliffe • Aesthetics • Ghost Story • Ruyard Kipling • Elizabethan England • Realism • Romance • Virginia Woolf • Uncanny • Narrative • Space • Harriet Beecher Stowe • Islands • Henry James • Monstrous births • Religious and political propaganda • Monsters • Geopoetics • The Castle of Otranto
This work is licensed under a
Creative Commons Attribution 4.0 International Public License
Table of contents
Introduction
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Section 1. The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
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Section 2. Miscellany
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