The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Edmund Burke • Joseph Conrad • The Sublime • Romance • Ann Radcliffe • Transatlantic literature • Mimetic Dimension • Islands • Supernatural Horror • Doyle • Harriet Beecher Stowe • Realism • Mysticism • Form • Gothic Novel • Elizabethan England • Empiricism • Olalla • Late-Victorian Context • Virginia Woolf • Genre • Spiritualism • Vampire • Stevenson • Henry James • The Castle of Otranto • Monsters • Hybridity • Aesthetics • Supernatural • Ghost Story • Gothic • Marvellous • The ‘Aesthetic Fantastic’ • Wells • Street literature • Aesthetic Culture • Escapism • Uncanny • Victorian Era • Narrative • Foley effects • Border-crossing • The Mysteries of Udolpho • Gothic novel • Robert Louis Stevenson • Horace Walpole • Space • Fantastic • George Eliot • Geopoetics • Monstrous births • Fin de siècle • Narrative Annexe • Deformed pigs • Psycho-acoustic ambience • Ruyard Kipling • Religious and political propaganda

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

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