The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    edited by
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Genre • Religious and political propaganda • Border-crossing • Hybridity • Mimetic Dimension • Narrative Annexe • Realism • The Sublime • Horace Walpole • Ann Radcliffe • Escapism • Space • Street literature • Vampire • Victorian Era • Monstrous births • Mysticism • Gothic novel • Islands • Gothic Novel • Edmund Burke • Foley effects • Aesthetic Culture • Deformed pigs • Spiritualism • The ‘Aesthetic Fantastic’ • Form • The Castle of Otranto • Monsters • Olalla • Supernatural • Virginia Woolf • Doyle • Fantastic • Robert Louis Stevenson • Stevenson • Uncanny • Fin de siècle • Geopoetics • Transatlantic literature • Ghost Story • Joseph Conrad • Psycho-acoustic ambience • Marvellous • George Eliot • Ruyard Kipling • Gothic • Late-Victorian Context • Supernatural Horror • Harriet Beecher Stowe • Romance • Elizabethan England • Henry James • The Mysteries of Udolpho • Wells • Narrative • Aesthetics • Empiricism

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.