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The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
edited by
Flavio Gregori
Università Ca’ Foscari Venezia, Italia
Language: en
Published: Dec. 21, 2020
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Keywords vpn_key keyboard_arrow_down
Spiritualism • Religious and political propaganda • Romance • Joseph Conrad • The Castle of Otranto • Gothic novel • The Mysteries of Udolpho • Narrative • Stevenson • Ghost Story • Form • Empiricism • Monstrous births • Transatlantic literature • Late-Victorian Context • Horace Walpole • Vampire • Aesthetics • Olalla • Aesthetic Culture • Mimetic Dimension • The Sublime • The ‘Aesthetic Fantastic’ • Harriet Beecher Stowe • Islands • Fantastic • Edmund Burke • Doyle • Gothic Novel • Escapism • Gothic • Hybridity • Mysticism • Fin de siècle • Genre • Monsters • Street literature • Wells • Uncanny • Supernatural Horror • Ann Radcliffe • Ruyard Kipling • Henry James • Space • Deformed pigs • Elizabethan England • Marvellous • Robert Louis Stevenson • Victorian Era • Geopoetics • Foley effects • Psycho-acoustic ambience • Supernatural • Realism • Border-crossing • Virginia Woolf • Narrative Annexe • George Eliot
permalink http://doi.org/10.30687/EL/2420-823X/2020/01
This work is licensed under a
Creative Commons Attribution 4.0 International License
Table of contents
Introduction
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Section 1. The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
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Section 2. Miscellany
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