English Literature | 7 | 2020

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Journal monographic issue

The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

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Language: en

Published: Dec. 21, 2020

permalink http://doi.org/10.30687/EL/2420-823X/2020/01

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents

Introduction
Introduction: The Supernatural between Fact and Fiction, from the Gothic to the Fin de Siècle
Flavio Gregori    Elisa Bizzotto   
Dec. 21, 2020
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Section 1. The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
Foley Effects in the Gothic
Sound in The Castle of Otranto
John Bender   
Dec. 21, 2020
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The Supernatural Subject of the Sublime in Burke and Radcliffe: A Reading of The Mysteries of Udolpho
Zak Watson   
Dec. 21, 2020
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“Things that Make One Doubt if They be Mad or Sane”
Coping with the Monstrous in Bram Stoker’s Dracula
Laura Giovannelli   
Dec. 21, 2020
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Robert Louis Stevenson and the Fin-de-Siècle Vampire
“Olalla” (1885) as ‘Aesthetic Fantastic’
Angelo Riccioni   
Dec. 21, 2020
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Beyond the Boundaries of Realism
Monstrous Islands and Literary Hybrids at the Fin de Siècle in Conan Doyle’s, R. L. Stevenson’s and H. G. Wells’s Fiction
Julie Gay   
Dec. 21, 2020
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Realism and the Supernatural in Ghost Stories of the Fin de Siècle
Nick Freeman   
Dec. 21, 2020
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Section 2. Miscellany
“Our Filthy Liues in Swines are Shewd”: Deformed Pigs, Religious Disquiet and Propaganda in Elizabethan England
Luca Baratta   
Dec. 21, 2020
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Literary Transmigration
George Eliot, Harriet Beecher Stowe, and the Spirit of Transatlantic Exchange
Rebecca Soares   
Dec. 21, 2020
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