The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Marvellous • Street literature • Henry James • Robert Louis Stevenson • Ghost Story • Psycho-acoustic ambience • The Mysteries of Udolpho • Horace Walpole • Realism • Geopoetics • Narrative Annexe • Supernatural • Gothic • Olalla • The Castle of Otranto • Transatlantic literature • Stevenson • Gothic novel • Hybridity • Joseph Conrad • Fantastic • Mimetic Dimension • Monsters • Fin de siècle • Aesthetic Culture • Religious and political propaganda • Wells • Mysticism • Supernatural Horror • Space • Monstrous births • Aesthetics • Deformed pigs • Escapism • Spiritualism • Edmund Burke • Romance • Victorian Era • Islands • Doyle • Ruyard Kipling • The ‘Aesthetic Fantastic’ • Genre • Narrative • The Sublime • Late-Victorian Context • Ann Radcliffe • Empiricism • Form • George Eliot • Harriet Beecher Stowe • Virginia Woolf • Border-crossing • Gothic Novel • Vampire • Elizabethan England • Uncanny • Foley effects

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.