The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Psycho-acoustic ambience • Henry James • Ghost Story • Transatlantic literature • Uncanny • Form • Religious and political propaganda • Horace Walpole • Fin de siècle • The Sublime • Geopoetics • Elizabethan England • Gothic novel • Empiricism • Islands • Spiritualism • Gothic • Victorian Era • Olalla • Realism • Marvellous • Street literature • Foley effects • Monstrous births • Doyle • Romance • Virginia Woolf • Border-crossing • Supernatural • Monsters • Wells • Late-Victorian Context • The ‘Aesthetic Fantastic’ • Deformed pigs • Aesthetic Culture • Harriet Beecher Stowe • Joseph Conrad • The Castle of Otranto • Fantastic • Mimetic Dimension • Space • Supernatural Horror • Edmund Burke • Ruyard Kipling • Narrative Annexe • Robert Louis Stevenson • Vampire • Ann Radcliffe • Gothic Novel • The Mysteries of Udolpho • Aesthetics • Narrative • Mysticism • Hybridity • Escapism • Stevenson • Genre • George Eliot

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.