The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

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Keywords Elizabethan England • Spiritualism • Virginia Woolf • Robert Louis Stevenson • Fin de siècle • Ann Radcliffe • Edmund Burke • Vampire • Islands • Empiricism • Realism • Henry James • Escapism • Psycho-acoustic ambience • Stevenson • Victorian Era • Harriet Beecher Stowe • Romance • Border-crossing • Aesthetic Culture • Ruyard Kipling • The Mysteries of Udolpho • Geopoetics • Narrative • Monstrous births • Wells • Aesthetics • Space • Mysticism • Religious and political propaganda • Foley effects • Deformed pigs • Joseph Conrad • Supernatural • Doyle • Street literature • The Sublime • Ghost Story • Gothic Novel • Transatlantic literature • Late-Victorian Context • Horace Walpole • George Eliot • Mimetic Dimension • Uncanny • Hybridity • Gothic novel • Gothic • Genre • Narrative Annexe • Supernatural Horror • Monsters • The ‘Aesthetic Fantastic’ • Form • Fantastic • Olalla • The Castle of Otranto • Marvellous

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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