The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Horace Walpole • Border-crossing • Form • Joseph Conrad • Monsters • Aesthetic Culture • Supernatural Horror • Geopoetics • Deformed pigs • Genre • Harriet Beecher Stowe • Gothic novel • Gothic • Monstrous births • Gothic Novel • Psycho-acoustic ambience • Realism • Religious and political propaganda • Narrative Annexe • Transatlantic literature • Narrative • Aesthetics • Space • Uncanny • Ruyard Kipling • Romance • Empiricism • Escapism • Wells • Olalla • Spiritualism • Ann Radcliffe • Islands • The Castle of Otranto • The ‘Aesthetic Fantastic’ • Victorian Era • Edmund Burke • Fin de siècle • Doyle • Marvellous • Stevenson • The Mysteries of Udolpho • Henry James • Hybridity • Foley effects • Ghost Story • Mysticism • Supernatural • Street literature • Robert Louis Stevenson • Fantastic • Mimetic Dimension • Elizabethan England • The Sublime • Virginia Woolf • George Eliot • Vampire • Late-Victorian Context

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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