The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Ruyard Kipling • Space • The Sublime • Transatlantic literature • Ann Radcliffe • Empiricism • Doyle • Border-crossing • Harriet Beecher Stowe • Supernatural Horror • The Castle of Otranto • Virginia Woolf • Gothic novel • Stevenson • Deformed pigs • Marvellous • The ‘Aesthetic Fantastic’ • Uncanny • Street literature • Aesthetics • Fin de siècle • Mysticism • Vampire • Henry James • Spiritualism • Geopoetics • Olalla • Psycho-acoustic ambience • Narrative • Horace Walpole • Foley effects • Ghost Story • Wells • Form • Gothic Novel • Aesthetic Culture • Late-Victorian Context • Romance • Elizabethan England • Religious and political propaganda • The Mysteries of Udolpho • Escapism • Robert Louis Stevenson • Edmund Burke • Islands • Monsters • Realism • Gothic • Victorian Era • Monstrous births • Joseph Conrad • Hybridity • Genre • Narrative Annexe • Supernatural • Fantastic • Mimetic Dimension • George Eliot

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.