The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Islands • Robert Louis Stevenson • The ‘Aesthetic Fantastic’ • Aesthetics • Foley effects • Stevenson • Ruyard Kipling • Late-Victorian Context • Mimetic Dimension • Uncanny • Vampire • Realism • Virginia Woolf • Gothic • Gothic novel • Wells • Transatlantic literature • Gothic Novel • Religious and political propaganda • Horace Walpole • Harriet Beecher Stowe • Spiritualism • The Mysteries of Udolpho • Geopoetics • Monsters • Mysticism • Form • Edmund Burke • Elizabethan England • Ann Radcliffe • Fin de siècle • Genre • Joseph Conrad • Aesthetic Culture • The Castle of Otranto • Supernatural • Psycho-acoustic ambience • Empiricism • Olalla • Romance • Deformed pigs • The Sublime • Fantastic • George Eliot • Narrative • Border-crossing • Victorian Era • Doyle • Henry James • Marvellous • Escapism • Monstrous births • Hybridity • Street literature • Space • Ghost Story • Narrative Annexe • Supernatural Horror

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.