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The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
Lingua: en
Pubblicato: 21 Dicembre 2020
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Border-crossing • Religious and political propaganda • Horace Walpole • Mysticism • Space • Supernatural Horror • Robert Louis Stevenson • Doyle • Narrative Annexe • Elizabethan England • Aesthetics • Realism • Deformed pigs • Form • Mimetic Dimension • Transatlantic literature • Gothic Novel • Spiritualism • Islands • Psycho-acoustic ambience • Henry James • The ‘Aesthetic Fantastic’ • Ghost Story • Foley effects • Joseph Conrad • Romance • Escapism • Ann Radcliffe • Edmund Burke • Narrative • Virginia Woolf • Empiricism • Fin de siècle • Wells • Fantastic • Geopoetics • Stevenson • The Sublime • Uncanny • Vampire • The Castle of Otranto • Gothic • Ruyard Kipling • Genre • Victorian Era • The Mysteries of Udolpho • Aesthetic Culture • Monsters • Harriet Beecher Stowe • George Eliot • Monstrous births • Olalla • Gothic novel • Street literature • Marvellous • Late-Victorian Context • Hybridity • Supernatural
This work is licensed under a
Creative Commons Attribution 4.0 International Public License
Sommario
Introduction
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Section 1. The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
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Section 2. Miscellany
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