The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Edmund Burke • Geopoetics • Empiricism • Realism • Mimetic Dimension • Hybridity • Fin de siècle • Narrative Annexe • Olalla • Romance • Transatlantic literature • Harriet Beecher Stowe • Spiritualism • Virginia Woolf • The ‘Aesthetic Fantastic’ • Monstrous births • Aesthetic Culture • Genre • Gothic novel • Ruyard Kipling • Doyle • Supernatural Horror • Robert Louis Stevenson • Form • Escapism • Ghost Story • Vampire • Deformed pigs • Henry James • Monsters • Gothic • Narrative • Space • Border-crossing • Islands • Street literature • Late-Victorian Context • Religious and political propaganda • Ann Radcliffe • Psycho-acoustic ambience • Wells • Horace Walpole • Stevenson • The Mysteries of Udolpho • Aesthetics • Gothic Novel • Marvellous • Supernatural • Uncanny • The Sublime • Mysticism • George Eliot • The Castle of Otranto • Victorian Era • Fantastic • Joseph Conrad • Foley effects • Elizabethan England

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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