The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Narrative • Supernatural • Transatlantic literature • Edmund Burke • Foley effects • Mimetic Dimension • Romance • Supernatural Horror • Doyle • Olalla • Aesthetics • Henry James • The Mysteries of Udolpho • Harriet Beecher Stowe • Robert Louis Stevenson • Gothic novel • Genre • Fantastic • Border-crossing • The Sublime • Joseph Conrad • Mysticism • Space • Horace Walpole • Monsters • Form • Ann Radcliffe • Gothic Novel • The ‘Aesthetic Fantastic’ • Vampire • Psycho-acoustic ambience • Virginia Woolf • Elizabethan England • Aesthetic Culture • Escapism • Islands • Street literature • Victorian Era • Wells • Ruyard Kipling • The Castle of Otranto • Deformed pigs • Fin de siècle • Late-Victorian Context • Hybridity • Realism • Spiritualism • Gothic • Empiricism • Uncanny • Marvellous • Religious and political propaganda • Ghost Story • Monstrous births • Narrative Annexe • Stevenson • Geopoetics • George Eliot

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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