The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords Elizabethan England • Form • Uncanny • Border-crossing • Realism • Religious and political propaganda • Henry James • Street literature • The Mysteries of Udolpho • Aesthetics • Doyle • Ghost Story • Narrative Annexe • Space • Deformed pigs • Aesthetic Culture • The Castle of Otranto • Gothic novel • Wells • Foley effects • Mimetic Dimension • Narrative • Psycho-acoustic ambience • Gothic Novel • Mysticism • Hybridity • Islands • Geopoetics • George Eliot • Monsters • Olalla • Virginia Woolf • Joseph Conrad • Late-Victorian Context • Supernatural • Harriet Beecher Stowe • Romance • Gothic • Horace Walpole • Fantastic • Marvellous • Edmund Burke • Stevenson • Vampire • Fin de siècle • Spiritualism • The ‘Aesthetic Fantastic’ • Victorian Era • Ruyard Kipling • Ann Radcliffe • Robert Louis Stevenson • Genre • Monstrous births • The Sublime • Transatlantic literature • Escapism • Supernatural Horror • Empiricism

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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