The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Deformed pigs • Elizabethan England • Ghost Story • Escapism • Monsters • Horace Walpole • Supernatural Horror • George Eliot • Mysticism • Virginia Woolf • Fin de siècle • Marvellous • Gothic novel • Geopoetics • Wells • Monstrous births • The Sublime • Robert Louis Stevenson • Genre • Edmund Burke • Late-Victorian Context • Spiritualism • Fantastic • Ruyard Kipling • Gothic • Religious and political propaganda • Supernatural • Form • The Castle of Otranto • Foley effects • Narrative Annexe • Stevenson • Space • Henry James • The ‘Aesthetic Fantastic’ • Transatlantic literature • Romance • Psycho-acoustic ambience • Olalla • Hybridity • Uncanny • Victorian Era • Aesthetics • Empiricism • Joseph Conrad • Narrative • The Mysteries of Udolpho • Realism • Harriet Beecher Stowe • Doyle • Gothic Novel • Street literature • Vampire • Ann Radcliffe • Border-crossing • Islands • Mimetic Dimension • Aesthetic Culture

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.