The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    a cura di
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Joseph Conrad • Aesthetic Culture • Uncanny • Mysticism • George Eliot • Vampire • Marvellous • Escapism • Aesthetics • Foley effects • Gothic • Olalla • Narrative Annexe • Narrative • The Sublime • Monsters • Space • Wells • Monstrous births • Ruyard Kipling • Hybridity • Geopoetics • The Castle of Otranto • The Mysteries of Udolpho • Edmund Burke • The ‘Aesthetic Fantastic’ • Doyle • Empiricism • Spiritualism • Ghost Story • Supernatural • Supernatural Horror • Psycho-acoustic ambience • Harriet Beecher Stowe • Late-Victorian Context • Mimetic Dimension • Robert Louis Stevenson • Realism • Deformed pigs • Religious and political propaganda • Victorian Era • Gothic Novel • Ann Radcliffe • Gothic novel • Stevenson • Virginia Woolf • Henry James • Horace Walpole • Elizabethan England • Form • Romance • Genre • Islands • Transatlantic literature • Street literature • Fin de siècle • Border-crossing • Fantastic

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.