The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed

Keywords The Mysteries of Udolpho • Gothic • Wells • Street literature • Psycho-acoustic ambience • Edmund Burke • Horace Walpole • Empiricism • Fin de siècle • Ann Radcliffe • Romance • Narrative • Virginia Woolf • Aesthetic Culture • Late-Victorian Context • Gothic Novel • Space • Aesthetics • Border-crossing • Monsters • Ghost Story • Fantastic • Foley effects • Geopoetics • Elizabethan England • Stevenson • George Eliot • Spiritualism • Marvellous • Mysticism • Realism • The Sublime • Hybridity • The Castle of Otranto • Narrative Annexe • Supernatural • Escapism • Transatlantic literature • Victorian Era • Gothic novel • Deformed pigs • Robert Louis Stevenson • The ‘Aesthetic Fantastic’ • Mimetic Dimension • Olalla • Vampire • Religious and political propaganda • Henry James • Uncanny • Supernatural Horror • Doyle • Joseph Conrad • Form • Genre • Ruyard Kipling • Monstrous births • Harriet Beecher Stowe • Islands

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Pubblicato 21 Dicembre 2020 | Lingua en

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