Series | Antiquity Studies
Volume 25 | Edited book | Epigraphic Falsification
Abstract
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity.
Keywords Counterfeit instrumentum inscriptum • Forged inscriptions • Epigraph balanced between dimensions and inscripti • Epigraphic forgeries on paper • F • Critical editions • Antiquarian market in the early 1900s • Classical scholarship • CIL VI 990* • Epigraphic forgeries • Epigraphic research • Spain • Jacopo Valvasone • Primacy of Sardinia • Lucas Peto • Aqueducts • Roman Liguria • Ciriaco de’ Pizzicolli • Epigraphic models • Fake • Aquileia • Forged blunder • Internet • Manuscript • Documentary forgeries • Manuscripts • Pseudo-antique palaeography • Marche • Non-alphabetic graphemes • Aqua Vergine • Spurious imitations • Antonio Trevisi • Forgeries • Christian forgeries • Forgery • Coarse altar • John Disney • Copies • Epitaph • Fake inscriptions • Lepontic • Pingone • Renaissance • Ager Mediolanensis • Ancient restorations • Cities • Johns Hopkins Archaeological Museum • Amphora • Meyranesio • Senatus consultum • G • House of Savoy • Intellectual history • Latin poets of Renaissance • Lex de imperio Vespasiani Antonio Agustín • Council of Trent • Latin epigraphy • Luigi Biraghi • Theodor Mommsen • CIL VI 991* • Printed editions • False inscriptions • Digital editions • Inscribed zone as decorative surface • Decretum Rubiconis • Mariangelo Accursio • Antiquarians • Savoy Piedmont • Casa Museo dell’Antiquariato Ivan Bruschi • Fitzwilliam Museum • Thomas Hollis • Epigraphy • Pirro Ligorio
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 16, 2019 | Language fr, en, it
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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