Rivista | JoLMA
Fascicolo monografico | 2 | 1 | 2021
Articolo | Decolonizing Visuality: The Artistic and Social Practices of Andrea Carlson
Decolonizing Visuality: The Artistic and Social Practices of Andrea Carlson
Abstract
The article demonstrates how images of the Mississippi River presented in European Mississippi. An Anthropocene River project, form knowledge about this region in relation to global challenges of the climate crisis. In the text, I examine visualizations of the river created by the Indigenous artist Andrea Carlson, whose works relate to decolonial methodologies and restore places, communities, beliefs and philosophies eradicated in colonialist practices. Visuality in Carlson’s work isn’t frozen in a place and time, but constitutes a type of social practice in which knowledge is produced. In analysing her works, I take into account their processuality: that, which took place before their creation, what they refer to, what they reveal, and what the process of their creation.
Presentato: 16 Marzo 2021 | Pubblicato 30 Giugno 2021 | Lingua: en
Keywords climate crisis; decolonial theory; visual art; Ind
Copyright © 2021 Oliwia Olesiejuk. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01/014
