Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Coproducción cinematográfica • La mort i la primavera • Mercè Rodoreda • Comunicación no verbal • Stereotypes • Premi Nobel • Haiku • Novela • Quim Monzó • Gender • Biography • Normalisation • Literary polemics • Death in Spring • Polèmica literària • Women’s fiction • Historia del cine español • Communication • Luisa Valenzuela • Fiaba • Science • Cartoneras del siglo XXI • History of Spanish cinema • Tradução de Poesia • Argentine crime literature • Catalan culture • Frankfurt Book Fair • Interacción • Distribución cinematográfica • Cinema distribution • Motivation • Motivación • Silvina Ocampo • Affective dimension • Biografía • Didáctica virtual • Didáctica a distancia • Novel • Ciencia • Segundas lenguas • Posthumous editions • Haicai • Poetry translation • Catalan literature • Colaboración • Diario • Comunicación • Cine mudo • Rol docente • Rosa Montero • Genere • Interpretació hermenèutica • Collaboration • Hermeneutic interpretation • Buenos Aires • Cine mudo italiano • Twenty-first century women’s cartoneras • Procés d’escriptura • Writing process • Diary • Italian silent cinema • Pastiche • Virtual learning • María Angélica Bosco • Interaction • Non-verbal communication • Nobel Prize • Géneros poéticos • Literatura criminal argentina • Narrativa femminile • Fira del Llibre de Frankfurt • Bashô • Stereotipi • Second languages • Cultura catalana • Marie Curie • Jorge de Sena • Literatura catalana • Silent cinema • Distance learning • Syria Poletti • Normalització • Dimensión afectiva • Eloísa Cartonera • Fairy tale • Edicions pòstumes • Film co-production

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua ca, es, pt, it

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