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Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Marie Curie • Normalisation • Italian silent cinema • Frankfurt Book Fair • Fiaba • Polèmica literària • Distance learning • Silent cinema • Edicions pòstumes • Haiku • Pastiche • Virtual learning • Didáctica a distancia • Nobel Prize • Death in Spring • Film co-production • Bashô • Interacción • Diario • Motivation • Géneros poéticos • Literatura criminal argentina • Affective dimension • Cultura catalana • Biografía • Women’s fiction • Second languages • Procés d’escriptura • María Angélica Bosco • Cinema distribution • Novela • Quim Monzó • Rol docente • Biography • Interpretació hermenèutica • Coproducción cinematográfica • Literatura catalana • Poetry translation • Diary • Syria Poletti • Writing process • Rosa Montero • Haicai • Dimensión afectiva • Communication • Gender • Cine mudo • Buenos Aires • Segundas lenguas • Normalització • Distribución cinematográfica • Stereotypes • Stereotipi • Motivación • Cine mudo italiano • Luisa Valenzuela • Non-verbal communication • Premi Nobel • Silvina Ocampo • Comunicación • Posthumous editions • Narrativa femminile • Genere • Jorge de Sena • Catalan literature • Twenty-first century women’s cartoneras • Ciencia • Didáctica virtual • Literary polemics • Argentine crime literature • Interaction • Science • Cartoneras del siglo XXI • History of Spanish cinema • Comunicación no verbal • Novel • Mercè Rodoreda • Historia del cine español • Eloísa Cartonera • Catalan culture • Hermeneutic interpretation • Fairy tale • Colaboración • Tradução de Poesia • Collaboration • Fira del Llibre de Frankfurt • La mort i la primavera
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, pt, es
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