Rassegna iberistica

Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022

45 | 118 | 2022

open access | peer reviewed

Keywords Rol docente • Film co-production • Literary polemics • Normalisation • Haicai • Novela • Motivation • Didáctica virtual • Diary • Science • Women’s fiction • Distance learning • Eloísa Cartonera • Virtual learning • Historia del cine español • Polèmica literària • Didáctica a distancia • Fairy tale • Edicions pòstumes • Silvina Ocampo • Luisa Valenzuela • History of Spanish cinema • Argentine crime literature • Communication • Géneros poéticos • Cinema distribution • Procés d’escriptura • Stereotypes • María Angélica Bosco • Distribución cinematográfica • Comunicación no verbal • Colaboración • Bashô • Genere • Haiku • Marie Curie • Cine mudo • Frankfurt Book Fair • Gender • Rosa Montero • Literatura catalana • Fiaba • Stereotipi • Biografía • Normalització • Catalan literature • Interacción • Italian silent cinema • Writing process • Syria Poletti • Interpretació hermenèutica • Non-verbal communication • Premi Nobel • Jorge de Sena • Hermeneutic interpretation • Nobel Prize • Death in Spring • Catalan culture • Collaboration • Motivación • Interaction • Coproducción cinematográfica • Diario • Ciencia • Second languages • Silent cinema • Buenos Aires • Segundas lenguas • Comunicación • La mort i la primavera • Literatura criminal argentina • Dimensión afectiva • Posthumous editions • Cine mudo italiano • Novel • Twenty-first century women’s cartoneras • Poetry translation • Cartoneras del siglo XXI • Affective dimension • Mercè Rodoreda • Biography • Fira del Llibre de Frankfurt • Tradução de Poesia • Quim Monzó • Pastiche • Narrativa femminile • Cultura catalana

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, it, ca, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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