Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Film co-production • Silent cinema • Fairy tale • Haicai • Didáctica a distancia • Interaction • Quim Monzó • Distribución cinematográfica • Didáctica virtual • Literatura criminal argentina • Literatura catalana • Women’s fiction • María Angélica Bosco • Tradução de Poesia • Nobel Prize • Catalan literature • Procés d’escriptura • Cultura catalana • Haiku • Normalisation • Second languages • Ciencia • Genere • Writing process • Fira del Llibre de Frankfurt • Twenty-first century women’s cartoneras • Edicions pòstumes • Dimensión afectiva • Motivation • Poetry translation • Comunicación • Collaboration • Literary polemics • Jorge de Sena • Géneros poéticos • Argentine crime literature • Segundas lenguas • Coproducción cinematográfica • Fiaba • Death in Spring • Cine mudo • Catalan culture • Polèmica literària • History of Spanish cinema • La mort i la primavera • Rosa Montero • Interpretació hermenèutica • Luisa Valenzuela • Normalització • Diary • Mercè Rodoreda • Novela • Syria Poletti • Narrativa femminile • Stereotipi • Stereotypes • Motivación • Non-verbal communication • Colaboración • Diario • Italian silent cinema • Communication • Silvina Ocampo • Gender • Novel • Cartoneras del siglo XXI • Premi Nobel • Biografía • Affective dimension • Eloísa Cartonera • Hermeneutic interpretation • Distance learning • Comunicación no verbal • Posthumous editions • Science • Rol docente • Biography • Bashô • Buenos Aires • Virtual learning • Historia del cine español • Frankfurt Book Fair • Cine mudo italiano • Marie Curie • Interacción • Cinema distribution • Pastiche
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, it, ca, pt
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