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’l pien e ‘l vódo dela testa-tera

Claudio Ambrosini    Compositore    

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abstract

This paper is the testimony of a composer on the relationship between poetic text and musical score, based on a direct experience: the composition of Dai Filò of Zanotto, a ‘triptych for four female voices and piano’ (2003).

Pubblicato
02 Agosto 2017
Presentato
16 Gennaio 2017
Lingua
IT

Keywords: Andrea ZanzottoPoetry and music in the 21th Century

Copyright: © 2016 Claudio Ambrosini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.