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La Real Academia de San Fernandoy la devolución de los bienes eclesiásticos tras la Guerra de Independencia

Jorge García Sánchez    Universidad Complutense de Madrid, España    

Maria Moraleda Gomero    Real Academia de España en Roma (AECID)

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abstract

With this article we intend to show the policy adopted by the king Fernando VII regarding to the restitution of the artistic patrimony confiscated to the religious communities during the Independence War’s conflicting years, as well as the part played in this process by the Real Academia de San Fernando. When the project of founding the Museo Fernandino failed, the Academy, receiver of many of the paintings dispersed during the French Government, tried to increase his pictorial collection to the detriment of their legitimate proprietors, although laws promulgated from 1814 favoured the works of art were recovered by the religious establishments. In the case of the Hospital de la Caridad of Seville, the Academy kept paintings until the 20th century, based on the agreement of the clergymen with the French.

Pubblicato
10 Dicembre 2020
Accettato
06 Luglio 2020
Presentato
04 Marzo 2020
Lingua
ES

Keywords: DisentailmentReligious conventsSpanish Independence WarReal Academia de Bellas Artes de San FernandoMonasterio de San Lorenzo de El EscorialHospital de la CaridadMurilloFernando VII

Copyright: © 2020 Jorge García Sánchez, Maria Moraleda Gomero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.