7 | 2018

Keywords Papal states • Theatre decoration • Titian • Pattern book • N • George Augustus Wallis • Mussini • Matteo Casella • Abbozzo • Høyen • Charles Heathcote Tatham • Mural painting • Cernusco sul Naviglio • Delacroix • Academy of Arcadia • Etchings • Ingres • Milan • Degas • Arcadian Iconography • Getty Research Institute • Paul Delaroche • Belgium • Francesco Hayez • Salon • Connoisseurship • Impressionism • Stanze a boschereccia • Veit • Picturesque • Cottages • James Malton • 19th Century French paintings • Applied arts • Giuseppe De Nittis • Art collections • Grand Tour • Brera • Market • Argentinian art • Vittorio Pica • L’Art Moderne • L • Raffaele Vincenzo Barone • Claude Monet • Valenti Gonzaga • Joseph Michael Gandy • 19th Century Italian paintings • Experimental series • Giuseppe Sogni • Koch • La Jeune Belgique • Dante’s mask • Cultural exchanges • Rome • Ambrogio Uboldo • Andrea Mantegna

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

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