7 | 2018

Keywords N • Art collections • Getty Research Institute • Titian • James Malton • Belgium • Brera • La Jeune Belgique • Raffaele Vincenzo Barone • Paul Delaroche • Matteo Casella • Dante’s mask • Arcadian Iconography • L • Giuseppe De Nittis • Francesco Hayez • L’Art Moderne • Applied arts • Mural painting • Høyen • Ambrogio Uboldo • Pattern book • Argentinian art • Giuseppe Sogni • Academy of Arcadia • Veit • Degas • Market • Experimental series • Valenti Gonzaga • George Augustus Wallis • Connoisseurship • Mussini • Salon • 19th Century French paintings • Cernusco sul Naviglio • Impressionism • Delacroix • Papal states • Rome • Stanze a boschereccia • Abbozzo • Vittorio Pica • 19th Century Italian paintings • Andrea Mantegna • Joseph Michael Gandy • Charles Heathcote Tatham • Koch • Milan • Ingres • Picturesque • Claude Monet • Cottages • Cultural exchanges • Etchings • Theatre decoration • Grand Tour

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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