7 | 2018

Keywords Academy of Arcadia • La Jeune Belgique • Mussini • Charles Heathcote Tatham • Salon • Arcadian Iconography • James Malton • Titian • Connoisseurship • Giuseppe Sogni • 19th Century French paintings • Cernusco sul Naviglio • L • Art collections • Andrea Mantegna • Giuseppe De Nittis • Applied arts • Stanze a boschereccia • Ingres • Etchings • Paul Delaroche • Vittorio Pica • Francesco Hayez • Getty Research Institute • Pattern book • Milan • Argentinian art • Brera • Joseph Michael Gandy • Papal states • Mural painting • Høyen • Market • Raffaele Vincenzo Barone • Valenti Gonzaga • 19th Century Italian paintings • Delacroix • Rome • Belgium • George Augustus Wallis • Picturesque • Cultural exchanges • Veit • Cottages • Dante’s mask • Experimental series • Ambrogio Uboldo • Degas • Abbozzo • L’Art Moderne • Claude Monet • Koch • N • Theatre decoration • Impressionism • Matteo Casella • Grand Tour

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.