7 | 2018

Keywords Matteo Casella • Pattern book • Vittorio Pica • Mural painting • Delacroix • N • Francesco Hayez • Belgium • L’Art Moderne • Academy of Arcadia • Salon • L • Claude Monet • Høyen • Dante’s mask • Rome • Picturesque • Titian • Connoisseurship • Valenti Gonzaga • Milan • Brera • Cultural exchanges • Papal states • Giuseppe De Nittis • Charles Heathcote Tatham • Giuseppe Sogni • Veit • Arcadian Iconography • Cernusco sul Naviglio • Ingres • Paul Delaroche • George Augustus Wallis • La Jeune Belgique • Getty Research Institute • Koch • Degas • Etchings • Impressionism • Mussini • Stanze a boschereccia • Experimental series • Theatre decoration • Andrea Mantegna • Grand Tour • Joseph Michael Gandy • James Malton • Argentinian art • Abbozzo • Art collections • 19th Century French paintings • Applied arts • Market • Raffaele Vincenzo Barone • 19th Century Italian paintings • Cottages • Ambrogio Uboldo

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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