MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Art nouveau • Russian painters in America • Landscape painting • Cosmopolitanism • Russian fine art • Giacomo Salvadori • Photography • Ottoman Turkey • Como • Adolfo Hohenstein • Industrial arts • World Fairs • American Art • Peredvizhniki • World’s Fair • American Artists • Emilio Longoni • Heritage • World’s Columbian Exposition • Display • Persia • Glasswork • Fin-de-siècle • Expositions Universelles • Eugenio Linati • Avant-garde Exhibitions • Liberty • Commission of monuments • Paris • Egypt • Imperial Fine Arts Academy • Lombardy • Mosaic • Vienna • Surrealism • Antonio Salviati • Zaragoza • Exhibition • Colonialism • Islamic Art • Exposition Universelle • Decorative arts • Art Exhibition • Khedive Ismail • Paris 1867 • Eclecticism • Divisionismo • Weltausstellung • Murano • Simbolism • Carlo Ceppi • Alessandro Volta • Ottoman Empire • Costantino Gilodi

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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