Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

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Lingua: en, it

Pubblicato: 31 Luglio 2017

Keywords

Antonio Salviati • Mosaic • World’s Columbian Exposition • Persia • Avant-garde Exhibitions • Divisionismo • Emilio Longoni • Exposition Universelle • Murano • Paris • Surrealism • Como • Costantino Gilodi • Alessandro Volta • Eugenio Linati • Exhibition • World’s Fair • Colonialism • Khedive Ismail • American Art • Ottoman Turkey • Fin-de-siècle • Display • Expositions Universelles • Decorative arts • Islamic Art • Industrial arts • Imperial Fine Arts Academy • Peredvizhniki • Lombardy • Paris 1867 • Carlo Ceppi • Vienna • World Fairs • Ottoman Empire • Weltausstellung • American Artists • Art Exhibition • Glasswork • Cosmopolitanism • Egypt • Eclecticism • Heritage • Russian fine art • Landscape painting • Photography • Simbolism • Giacomo Salvadori • Zaragoza • Liberty • Russian painters in America • Art nouveau • Commission of monuments • Adolfo Hohenstein

permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17

Copyright: © 2017 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.