Rivista |
MDCCC 1800
Fascicolo monografico | 6 | 2017
Keywords Peredvizhniki • Carlo Ceppi • Paris 1867 • Art nouveau • Paris • Commission of monuments • Liberty • Khedive Ismail • Eugenio Linati • Fin-de-siècle • Russian painters in America • World’s Columbian Exposition • Eclecticism • Industrial arts • Expositions Universelles • Colonialism • Persia • Simbolism • Surrealism • World’s Fair • Ottoman Empire • Antonio Salviati • Avant-garde Exhibitions • Heritage • Murano • Egypt • Weltausstellung • Imperial Fine Arts Academy • Mosaic • Cosmopolitanism • Decorative arts • Adolfo Hohenstein • Display • American Artists • Como • Exhibition • Lombardy • Vienna • Landscape painting • Ottoman Turkey • Art Exhibition • Costantino Gilodi • Exposition Universelle • Divisionismo • Emilio Longoni • American Art • Giacomo Salvadori • Zaragoza • Photography • World Fairs • Islamic Art • Russian fine art • Glasswork • Alessandro Volta
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en
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Osservazioni introduttive
Le arti in mostra. Le esposizioni internazionali del XIX secolo