Rivista |
MDCCC 1800
Fascicolo monografico | 6 | 2017
Keywords Art Exhibition • Eugenio Linati • Photography • Heritage • Paris 1867 • Imperial Fine Arts Academy • Surrealism • Expositions Universelles • Art nouveau • Colonialism • Landscape painting • World’s Fair • Eclecticism • Antonio Salviati • Exposition Universelle • World Fairs • Commission of monuments • Emilio Longoni • Como • Display • Liberty • Ottoman Turkey • World’s Columbian Exposition • Carlo Ceppi • Russian fine art • Paris • Weltausstellung • Russian painters in America • Cosmopolitanism • Glasswork • Mosaic • Avant-garde Exhibitions • Decorative arts • Costantino Gilodi • American Artists • Ottoman Empire • Fin-de-siècle • Adolfo Hohenstein • Egypt • Lombardy • Peredvizhniki • Industrial arts • Divisionismo • Persia • Giacomo Salvadori • Exhibition • Simbolism • Zaragoza • Alessandro Volta • Islamic Art • Murano • Khedive Ismail • Vienna • American Art
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Osservazioni introduttive
Le arti in mostra. Le esposizioni internazionali del XIX secolo