MDCCC 1800

Rivista | MDCCC 1800
Fascicolo monografico | 6 | 2017

6 | 2017

open access | peer reviewed
Abstract

Keywords Islamic Art • Surrealism • Emilio Longoni • Eclecticism • Display • Carlo Ceppi • Giacomo Salvadori • Decorative arts • Paris • Zaragoza • Weltausstellung • World Fairs • Egypt • Fin-de-siècle • Art nouveau • Avant-garde Exhibitions • Commission of monuments • Khedive Ismail • Landscape painting • Alessandro Volta • World’s Fair • Industrial arts • Imperial Fine Arts Academy • American Artists • Liberty • Ottoman Turkey • Paris 1867 • Divisionismo • Expositions Universelles • Costantino Gilodi • Colonialism • Como • Murano • World’s Columbian Exposition • Russian fine art • Glasswork • Peredvizhniki • Heritage • Simbolism • Ottoman Empire • Eugenio Linati • Exhibition • Lombardy • Cosmopolitanism • Antonio Salviati • Exposition Universelle • Mosaic • Vienna • Persia • Adolfo Hohenstein • Photography • Russian painters in America • Art Exhibition • American Art

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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