MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Commission of monuments • Avant-garde Exhibitions • Persia • Exhibition • Fin-de-siècle • Landscape painting • Cosmopolitanism • World Fairs • Divisionismo • World’s Fair • Paris • Vienna • Ottoman Empire • Exposition Universelle • American Artists • Art Exhibition • Simbolism • Industrial arts • Como • Giacomo Salvadori • Mosaic • Zaragoza • Alessandro Volta • Display • Expositions Universelles • Glasswork • Russian painters in America • Egypt • Peredvizhniki • Liberty • Paris 1867 • Murano • Eugenio Linati • Weltausstellung • Costantino Gilodi • Carlo Ceppi • Heritage • Photography • American Art • Islamic Art • Art nouveau • Surrealism • Khedive Ismail • Eclecticism • Russian fine art • Emilio Longoni • Ottoman Turkey • World’s Columbian Exposition • Decorative arts • Lombardy • Colonialism • Imperial Fine Arts Academy • Antonio Salviati • Adolfo Hohenstein

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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