Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Tragedies • Actor • Theatre production • Myth • French literature • Violence and humiliations • Stage directions • Valerij Brjusov • Changes • Sleep • Translation • Early sound cinema • Pirandello • Valerij Brjusov • Vera Komissarzhevskaya • Models • Denarrativisation • Luigi Rasi • Francesca da Rimini • Nikolay Evreinov • Phoné • Stage • Tragedy • Eleonora Duse • Alexander Lensky • Loves • Abba • Film music • Madness • Malyj Theater • Russian theatre • Royal School of Acting, Florence • Carmelo Bene • Trampled dignity • Dramatic writing • Publicity launch • Betrayed sentiments • Vanguard • Dramatist • Symbolism • Dramaturgy • Gabriellino d’Annunzio • Death • Candour • Figlia di Iorio • Grotesque melodrama • Actor and dramatist • Acting techniques • De Chirico • La Nave • Musical Dramaturgy • Theatre • Acting • Direction • Episcopo, the ridicolous man • Career • Ekphrasis • Fears • Ruggeri • Writing • Plays • Silent cinema • D’Annunzio

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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