Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Gabriellino d’Annunzio • French literature • Grotesque melodrama • Episcopo, the ridicolous man • Phoné • Stage directions • Nikolay Evreinov • Dramatic writing • Candour • Actor and dramatist • Sleep • Denarrativisation • Valerij Brjusov • Musical Dramaturgy • Silent cinema • Abba • Royal School of Acting, Florence • Models • Russian theatre • Tragedy • Trampled dignity • D’Annunzio • Eleonora Duse • La Nave • Ruggeri • Tragedies • Fears • Myth • Carmelo Bene • Death • Dramaturgy • Alexander Lensky • Vanguard • Ekphrasis • Valerij Brjusov • Early sound cinema • Direction • Luigi Rasi • Theatre • Malyj Theater • Loves • Publicity launch • Violence and humiliations • Career • Dramatist • Stage • Plays • Theatre production • Actor • Acting • Film music • Writing • Betrayed sentiments • Symbolism • Changes • Acting techniques • De Chirico • Francesca da Rimini • Figlia di Iorio • Translation • Pirandello • Vera Komissarzhevskaya • Madness

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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