Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Ekphrasis • Stage • Malyj Theater • Myth • Valerij Brjusov • Trampled dignity • Acting • Nikolay Evreinov • Russian theatre • Carmelo Bene • Early sound cinema • Episcopo, the ridicolous man • La Nave • Theatre • Eleonora Duse • Grotesque melodrama • Dramatic writing • Luigi Rasi • Musical Dramaturgy • Actor and dramatist • Plays • Francesca da Rimini • Madness • Actor • D’Annunzio • Abba • Acting techniques • Betrayed sentiments • Figlia di Iorio • Royal School of Acting, Florence • Sleep • Dramaturgy • Writing • Denarrativisation • Theatre production • Publicity launch • Tragedy • Career • De Chirico • Translation • Direction • Silent cinema • Models • Symbolism • Violence and humiliations • Film music • Ruggeri • Vanguard • Death • Phoné • Pirandello • Loves • Alexander Lensky • Valerij Brjusov • Fears • Changes • Stage directions • Vera Komissarzhevskaya • Gabriellino d’Annunzio • Candour • Tragedies • French literature • Dramatist

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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