Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Writing • La Nave • Early sound cinema • Loves • Plays • Vera Komissarzhevskaya • Malyj Theater • De Chirico • Valerij Brjusov • Denarrativisation • Candour • Sleep • D’Annunzio • Death • Publicity launch • Abba • Dramatic writing • Silent cinema • Acting • Trampled dignity • Stage directions • Tragedy • Ekphrasis • Actor • Film music • Ruggeri • Changes • Symbolism • Translation • Models • Eleonora Duse • Fears • Carmelo Bene • Pirandello • Valerij Brjusov • Alexander Lensky • Direction • Theatre • Nikolay Evreinov • Dramaturgy • Stage • Myth • Musical Dramaturgy • Tragedies • French literature • Gabriellino d’Annunzio • Phoné • Theatre production • Episcopo, the ridicolous man • Royal School of Acting, Florence • Acting techniques • Dramatist • Violence and humiliations • Betrayed sentiments • Grotesque melodrama • Madness • Figlia di Iorio • Francesca da Rimini • Vanguard • Actor and dramatist • Career • Luigi Rasi • Russian theatre

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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