Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Gabriellino d’Annunzio • Theatre • Nikolay Evreinov • Actor and dramatist • Film music • Actor • Russian theatre • Dramaturgy • La Nave • Vanguard • Valerij Brjusov • Stage directions • Theatre production • Ekphrasis • Early sound cinema • Writing • Betrayed sentiments • Silent cinema • Stage • Ruggeri • Sleep • Death • Pirandello • Candour • Direction • Tragedy • Tragedies • Vera Komissarzhevskaya • Violence and humiliations • Publicity launch • Fears • Loves • Plays • Eleonora Duse • Models • Royal School of Acting, Florence • Musical Dramaturgy • Acting techniques • Alexander Lensky • De Chirico • Denarrativisation • Trampled dignity • Symbolism • Carmelo Bene • French literature • Dramatic writing • Dramatist • Phoné • Grotesque melodrama • Career • D’Annunzio • Acting • Francesca da Rimini • Myth • Madness • Valerij Brjusov • Changes • Abba • Episcopo, the ridicolous man • Malyj Theater • Luigi Rasi • Figlia di Iorio • Translation

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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