Archivio d’Annunzio

Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Ekphrasis • Vera Komissarzhevskaya • Career • French literature • Carmelo Bene • Early sound cinema • Translation • Vanguard • Death • Loves • Tragedies • Stage • Valerij Brjusov • Silent cinema • Dramaturgy • Violence and humiliations • Madness • Musical Dramaturgy • Alexander Lensky • Plays • Direction • Myth • Gabriellino d’Annunzio • Ruggeri • Fears • La Nave • Symbolism • Pirandello • Theatre • Theatre production • Tragedy • Sleep • Trampled dignity • Denarrativisation • Russian theatre • Writing • Abba • Acting • Dramatic writing • Valerij Brjusov • Luigi Rasi • Actor and dramatist • Francesca da Rimini • Grotesque melodrama • Film music • De Chirico • Eleonora Duse • Figlia di Iorio • Models • Stage directions • Betrayed sentiments • Malyj Theater • Dramatist • Nikolay Evreinov • Episcopo, the ridicolous man • Phoné • Publicity launch • Acting techniques • Candour • Royal School of Acting, Florence • Actor • Changes • D’Annunzio

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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