Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Publicity launch • Actor and dramatist • Valerij Brjusov • Candour • Valerij Brjusov • Episcopo, the ridicolous man • D’Annunzio • Russian theatre • Abba • Vera Komissarzhevskaya • Vanguard • Acting techniques • Myth • Death • Actor • De Chirico • Grotesque melodrama • Acting • Stage directions • Royal School of Acting, Florence • Denarrativisation • La Nave • Symbolism • Tragedies • Writing • Gabriellino d’Annunzio • Figlia di Iorio • Film music • Madness • Nikolay Evreinov • Plays • Alexander Lensky • Betrayed sentiments • Models • Ruggeri • Carmelo Bene • Dramatic writing • Fears • Trampled dignity • Loves • Direction • Sleep • Silent cinema • Ekphrasis • Tragedy • Eleonora Duse • Early sound cinema • Francesca da Rimini • Theatre • Theatre production • Translation • Phoné • Luigi Rasi • Dramaturgy • Violence and humiliations • French literature • Musical Dramaturgy • Dramatist • Changes • Malyj Theater • Stage • Career • Pirandello

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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