Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Models • Publicity launch • Theatre production • Gabriellino d’Annunzio • Malyj Theater • Phoné • Alexander Lensky • Writing • Royal School of Acting, Florence • Ruggeri • Vanguard • De Chirico • Actor • Abba • Trampled dignity • Luigi Rasi • Carmelo Bene • Acting • Betrayed sentiments • Pirandello • Sleep • Stage • D’Annunzio • Theatre • Film music • Translation • La Nave • Violence and humiliations • Grotesque melodrama • Plays • Stage directions • Acting techniques • Ekphrasis • Fears • Changes • Actor and dramatist • Musical Dramaturgy • Career • Russian theatre • Symbolism • Dramaturgy • Valerij Brjusov • Candour • Tragedies • Death • Dramatist • Direction • Dramatic writing • French literature • Madness • Denarrativisation • Early sound cinema • Episcopo, the ridicolous man • Francesca da Rimini • Vera Komissarzhevskaya • Loves • Nikolay Evreinov • Silent cinema • Eleonora Duse • Tragedy • Valerij Brjusov • Myth • Figlia di Iorio

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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