Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Taiwan cinema • Fragility • Meiji Restoration • Moral panics • Necrocene • Art-house cinema • Loudspeaker • Necropolitics • Precarity • Chinese art-house cinema • Authorship • Neoliberalism • Marketisation • Vulnerability • Imperial taboo • Literature and Cinema • Cold War, Cultural Diplomacy, Modern Dance, United • Postcolonial studies • Marginalisation • Critical theory • Psychopolitics • Theatre of power • COVID-19 • Neo-Marxism • Ontological securitisation • Public sympathy • Sound • Cultural analysis • Subalternity • New historicism • Decolonization • Political space • Statues • Censorship • National cinema • Negotiation • Sexual assault • Taiwanese identity • Resistance • Radio • Feminism • Transgender • Extinction studies • Historical narrative • Noise • Soundscape • China
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.