Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Chinese art-house cinema • Statues • Imperial taboo • Art-house cinema • Radio • Cultural analysis • Moral panics • Loudspeaker • Political space • Taiwanese identity • Public sympathy • China • Postcolonial studies • Vulnerability • Fragility • Historical narrative • Critical theory • Decolonization • Authorship • Ontological securitisation • National cinema • Sound • Soundscape • Marginalisation • Negotiation • Noise • Theatre of power • Literature and Cinema • Neo-Marxism • Psychopolitics • Taiwan cinema • Marketisation • Precarity • Subalternity • Necropolitics • Neoliberalism • Feminism • COVID-19 • Meiji Restoration • Necrocene • Censorship • New historicism • Cold War, Cultural Diplomacy, Modern Dance, United • Extinction studies • Resistance • Transgender • Sexual assault
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.