Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Ontological securitisation • Cold War, Cultural Diplomacy, Modern Dance, United • Chinese art-house cinema • Historical narrative • Loudspeaker • Fragility • Imperial taboo • Neo-Marxism • Censorship • COVID-19 • Critical theory • Soundscape • Radio • Marketisation • Literature and Cinema • Postcolonial studies • Necropolitics • Statues • Art-house cinema • Authorship • Vulnerability • Feminism • National cinema • Sound • Political space • Moral panics • Psychopolitics • Neoliberalism • Cultural analysis • Transgender • Taiwan cinema • Public sympathy • Subalternity • Noise • Taiwanese identity • New historicism • Necrocene • Theatre of power • Extinction studies • Precarity • Meiji Restoration • Sexual assault • China • Negotiation • Decolonization • Resistance • Marginalisation
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.