Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
Abstract
This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts.
Presentato: 24 Gennaio 2019 | Accettato: 28 Febbraio 2019 | Pubblicato 27 Giugno 2019 | Lingua: it
Keywords Modern Art Criticism • Art Collecting • Japonisme • Fin-de-siècle Italy
Copyright © 2019 Davide Lacagnina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01/017