• Davide Lacagnina - Università di Siena, Italia - email

Articoli

• Le savant et son époque à travers sa correspondance
  Seeger A. Bonebakker (1923-2005) et quelques notes sur Ḫalīl b. Aybak al-Ṣafadī (696-764/1297-1363)
• Élise Franssen
• 27 Giugno 2019

• Il terzo stadio dell’imparare
  Piacere e bellezza del testo ti Tammān Ḥassān
• Andrea Facchin
• 27 Giugno 2019

• The Peregrinations of panjgāh
• Owen Wright
• 27 Giugno 2019

• I ki hezar aferin bon nidge Sultan olur
  Dervishes Ceremonies in Constantinople Described by Western Travellers and Painters between Sixteenth and Eighteenth Century
• Giovanni De Zorzi
• 27 Giugno 2019

• Algeria and the Washington Consensus: Debtor-Creditor Relation Re-Examined
• Francesco Saverio Leopardi
• 28 Giugno 2019

• “If Man Had Received Such a Nature…”
  Textual Form, Transmission, and Interpretation of a Passage in Eznik’s Refutation of the Sects (Book I, 11 [§ 45])
• Paolo Lucca
• 27 Giugno 2019

• A Little-Known Dah-nāma: ʿAishī’s ʿIshrat-nāma
• Anna Livia Beelaert
• 27 Giugno 2019

• The Vedic Background of the Buddhist Notions of Iddhi and Abhiññā
  Three Case Studies with Particular Reference to the Pāli Literature
• Bryan De Notariis
• 27 Giugno 2019

• Between Mughal Art, Ethnography and Realism
  On Nicolò Manucci’s Artistic Patronage in India (1680-1720)
• Gianni Dubbini
• 27 Giugno 2019

• Corpo e lamento funebre
  Alcune riflessioni sulla traduzione dell’Agiavilāpa dell’indologo Giuseppe Turrini (1826-1899)
• Alberico Crafa
• 27 Giugno 2019

• Le prime traduzioni latine del ‘Giusto mezzo’ (Zhongyong中庸)
• Michael Lackner
• 27 Giugno 2019

• Breaking Up From What?
  The Corporeal Politics of Values in the Duanlie yundong (Rupture Movement)
• Melinda Pirazzoli
• 27 Giugno 2019

• The Kwanyin Clan: Modern Literati Graffiti Writers
  An Aesthetic and Text Analysis of their Main Artworks
• Adriana Iezzi
• 27 Giugno 2019

• A Journey into the City
  Migrant Workers’ Relation with the Urban Space and Struggle for Existence in Xu Zechen’s Early jingpiao Fiction
• Federico Picerni
• 27 Giugno 2019

• Pratiche di sottotitolazione non professionale in Cina
  Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie
• Serena Zuccheri
• 27 Giugno 2019

• Made in Italy in Chinese Market
  Emerging Issues for Italian Food
• Antonio De Pin
• 27 Giugno 2019

• Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
• Davide Lacagnina
• 27 Giugno 2019

• From Secluded Paradise to Hell on Earth
  Hino Ashihei’s Imaginative Geography of Okinawa
• Stefano Romagnoli
• 27 Giugno 2019

• Beyond the Screen
  Terayama. Spectatorship. Intermediality
• Eugenio De Angelis
• 27 Giugno 2019

• Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō
• Caterina Mazza
• 27 Giugno 2019

• Rethinking the Concept of ‘Society’ in the Age of Globalisation
  Society as a Whole, the Social, and Sociological Traditions
• Hirofumi Utsumi
• 27 Giugno 2019

• Lost Dolls, Lost Souls in Elena Ferrante’s La figlia oscura
• Nilay Kaya
• 27 Giugno 2019

Recensioni

• Eros Baldissera. Arabo compatto
• Andrea Facchin
• 27 Giugno 2019

• Richard Gombrich. Buddishm and Pali
• Bryan De Notariis
• 27 Giugno 2019

• Yuming Li. Language Planning in China
• Ying Ding
• 27 Giugno 2019

• Jie Dong. The Socialinguistics of Voice in Globalising China
• Beatrice Gallelli
• 27 Giugno 2019

DC Field	Value
dc.identifier	ECF_article_1659
dc.title	Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
dc.contributor.author	Lacagnina Davide
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2019/1/vittorio-pica-japoniste-critica-militante-e-collez/
dc.description.abstract	This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts.
dc.relation.ispartof	Annali di Ca’ Foscari. Serie orientale
dc.relation.ispartof	Vol. 55 | Giugno 2019
dc.issued	2019-06-27
dc.dateAccepted	2019-02-28
dc.dateSubmitted	2019-01-24
dc.identifier.issn
dc.identifier.eissn	2385-3042
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOr/2385-3042/2019/01/017
dc.peer-review	yes
dc.subject	Art Collecting
dc.subject	Art Collecting
dc.subject	Fin-de-siècle Italy
dc.subject	Fin-de-siècle Italy
dc.subject	Japonisme
dc.subject	Japonisme
dc.subject	Modern Art Criticism
dc.subject	Modern Art Criticism
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