57 | 2023
open access | peer reviewedKeywords Happiness duty • Enchantment • Sylvia’s Lovers • Haitian Representations • Travel Rhetoric • Intercultural communicative competence • London English • Wolfgang Hilbig • Nineteenth-century American literature • Phonology • Prison libraries • Linguoculturology • Degree of Causalness • The indirect passive • Anti-Slavery movements • Semantic incorporation • Colorism • General Leclerc • Incest • The mono-clause analysis • Violence • Instruments • Italian Sign Language • Huckleberry Finn • Melancholic migrant • Culture • Napoleonic Wars • Intercultural communication • Magical realism • Code/Genre/Gender-Rewriting • Transformism • Elizabeth Gaskell • Intercultural dialogue • Unmarked/Marked Causatives • Psych Verbs • Italy • Collaborative project • Exoticism • Italian • Body • Lexicon • Identity • Post-migration • Early Modern literature • Desire • John Ford • Editorialization • Accessibility hierarchy • The Identical • Emily Dickinson • Semantic recoverability • Internationalism • Syntax • Shoah • Sociolinguistics • Yugoslav Diaspora • Japanese • Space • Swedish Contemporary Literature • Unmarked/Marked Anticausatives • Practice • Spoken French • Superlatives • Toni Morrison • Relative clauses • Resumptive pronouns • Teaching Russian as a foreign language • Definiteness • God Help the Child • Postmodern I-dentity • The Advantages of Defeat • American Civil War • Reader-response • Cultural studies • National culture • Causative/Anticausative Alternation • Haitian Revolution • (l) vocalisation • Corpus • Angela Carter • Charles Eliot Norton • Parasitic scope • Nineteenth Century Haiti • Pedagogy • Digital critical publishing • Language variation
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2023/11 | Pubblicato 30 Ottobre 2023 | Lingua it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.