57 | 2023
open access | peer reviewedKeywords Toni Morrison • Space • Semantic recoverability • Linguoculturology • Travel Rhetoric • Sociolinguistics • Anti-Slavery movements • General Leclerc • Internationalism • Early Modern literature • Pedagogy • Wolfgang Hilbig • Teaching Russian as a foreign language • Italy • Instruments • The mono-clause analysis • The Advantages of Defeat • Italian Sign Language • Napoleonic Wars • Transformism • Violence • Identity • Relative clauses • The indirect passive • Accessibility hierarchy • American Civil War • Melancholic migrant • God Help the Child • Practice • Intercultural communicative competence • (l) vocalisation • Psych Verbs • Digital critical publishing • Intercultural dialogue • Code/Genre/Gender-Rewriting • Yugoslav Diaspora • Spoken French • Nineteenth Century Haiti • Post-migration • Unmarked/Marked Anticausatives • Sylvia’s Lovers • National culture • Swedish Contemporary Literature • Editorialization • Enchantment • Phonology • Cultural studies • Desire • Prison libraries • Emily Dickinson • Semantic incorporation • Parasitic scope • Exoticism • Language variation • Syntax • Causative/Anticausative Alternation • Collaborative project • Nineteenth-century American literature • Happiness duty • The Identical • Angela Carter • Haitian Revolution • Corpus • Definiteness • Magical realism • Culture • Shoah • Degree of Causalness • Elizabeth Gaskell • John Ford • Superlatives • Incest • Italian • Unmarked/Marked Causatives • Lexicon • Japanese • Resumptive pronouns • Haitian Representations • Huckleberry Finn • Intercultural communication • Body • Colorism • Charles Eliot Norton • London English • Reader-response • Postmodern I-dentity
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2023/11 | Pubblicato 30 Ottobre 2023 | Lingua fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.