La trilogia distopica di Terry Gilliam: il presente e il…

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Campo DC	Valore
dc.identifier	ECF_article_1736
dc.title	La trilogia distopica di Terry Gilliam: il presente e il futuribile
dc.contributor.author	Oddi Stefano
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2019/1supplemento/la-trilogia-distopica-di-terry-gilliam-il-presente/
dc.description.abstract	The article focuses on Terry Gilliam’s so-called ‘Orwellian triptych’, a science fiction trilogy in which the director uses dystopia as a way to highlight some of the major concerns of the Western World. While Brazil (1984) reflects the fear of an all-pervading Capitalism through its Kafkaesque, overbureaucratized universe and The Zero Theorem (2013) aims to describe “the perils of our digitised existence” (Andrew Pulver), Twelve Monkeys (1995) pictures an apocalyptic future in which the human race has been wiped out by a deadly virus mirroring the threat of HIV, and the survivors have been turned into guinea pigs by the members of a grotesque medical oligarchy.
dc.relation.ispartof	Annali di Ca’ Foscari. Serie occidentale
dc.relation.ispartof	Vol. 53 \| Dicembre 2019
dc.issued	2019-11-27
dc.dateAccepted	2019-04-20
dc.dateSubmitted	2019-03-07
dc.identifier.issn
dc.identifier.eissn	2499-1562
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOc/2499-1562/2019/01/034
dc.peer-review	yes
dc.subject	Apocalypse
dc.subject	Apocalypse
dc.subject	Cinema
dc.subject	Cinema
dc.subject	Dystopia
dc.subject	Dystopia
dc.subject	Science fiction
dc.subject	Science fiction
dc.subject	Terry Gilliam
dc.subject	Terry Gilliam

Articolo
open access peer reviewed

La trilogia distopica di Terry Gilliam: il presente e il futuribile

Stefano Oddi Università Ca’ Foscari Venezia, Italia

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abstract

The article focuses on Terry Gilliam’s so-called ‘Orwellian triptych’, a science fiction trilogy in which the director uses dystopia as a way to highlight some of the major concerns of the Western World. While Brazil (1984) reflects the fear of an all-pervading Capitalism through its Kafkaesque, overbureaucratized universe and The Zero Theorem (2013) aims to describe “the perils of our digitised existence” (Andrew Pulver), Twelve Monkeys (1995) pictures an apocalyptic future in which the human race has been wiped out by a deadly virus mirroring the threat of HIV, and the survivors have been turned into guinea pigs by the members of a grotesque medical oligarchy.

Pubblicato

27 Novembre 2019

Accettato

20 Aprile 2019

Presentato

07 Marzo 2019

Lingua

Keywords: Dystopia • Cinema • Terry Gilliam • Science fiction • Apocalypse

permalink http://doi.org/10.30687/AnnOc/2499-1562/2019/01/034

Copyright: © 2019 Stefano Oddi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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