Rivista |
Annali di Ca’ Foscari. Serie occidentale
Fascicolo | 51 | 2017
51 | 2017
open access | peer reviewed
Keywords Emphatic focus • Blackness • Light • Shakespeare • The Color Line • Red coral • Virginia Woolf • Particles • Between the Acts • Occitan languages • W • Computer-mediated communication • Libretto • Crux • Clitics • Word order • Bilingualism • Errors • Queneau • Languaging • Thames • Dana Gioia • Eurasian trade • Semantics • Locative preverbal subjects • Japan • Latin • Empire • Syntax • Subjunctive • Agreement • World War II • Brazilian Portuguese • Axial parts • Merini • Epistemic verb • Venice • E • Oral speech • Lexical prepositions • Passive sentences • Zazie • Residual Verb second • Russian • Old High German • Asylum • Explicit syntactic teaching • Pro-drop • English for tourism • Mood • Copular clause • PP • China • Direct speech • Sibyl • Verb Second • B • Nosferatu • The Song of the Smoke • Discourse analysis • Nominal syntax • Madness • Individual level predicate • Predicate inversion • Hamlet • Cognitive domain of spatial relations • Relative clauses • Grimshaw • Discontinuity • Discourse • Poetry • Linguistic typology • Illumination • Amphibology • Information structure • Du Bois • Mediterranean Sea • Indicative • Stage level predicate • Modal particles
Permalink http://doi.org/10.14277/2499-1562/AnnOc-51-17 | Pubblicato 28 Settembre 2017 | Lingua en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Letteratura, cultura, storia
-
Les dialogues dans Zazie dans le métro de Raymond Queneau
Effets de modernité - 28 Settembre 2017
-
The Prophetess and the Vampire
The Duet Between Past and Future in Dana Gioia’s Opera Libretto Nosferatu - 28 Settembre 2017
-
«Dormivo e sognavo che non ero al mondo»
Risonanze shakespeariane nell’opera di Alda Merini - 28 Settembre 2017
-
“Scraps, orts, and fragments”
Shakespearean Echoes in Virginia Woolf - 28 Settembre 2017
-
Itinerari e fonti del Corallium rubrum
I commerci tra Mediterraneo, India, Cina e Giappone dall’antichità alla prima età moderna - 28 Settembre 2017
-
Atkinson Grimshaw, Reflections on the Thames (1880)
Explorations in the Cultural History of Light and Illumination - 28 Settembre 2017
Linguistica
-
A Comparison of Northern Romance and Occitan ‘Subject’ Clitic Systems
The Null Subject Parameter and the Residues of V2 as V-to-C - 28 Settembre 2017
-
Representing Venice’s Local Culture to International Tourists
The Use of the ‘Languaging’ Technique in Websites in English - 28 Settembre 2017
-
Scrambling as verum focus
German ‘Scrambling’ meets Romance ‘Anaphoric Anteposition’ - 28 Settembre 2017
- Verbal Mood in Early Old High German Relative Clauses
- 28 Settembre 2017
- Le espressioni assiali in russo
- 28 Settembre 2017
-
Interruzione dell’ordine lineare vs discontinuità sintattica
Osservazioni da un corpus di dati da Petronio, Aulo Gellio e Gregorio di Tours - 28 Settembre 2017
-
Epistemic Predicative Clauses and the IL/SL Distinction
A View from Romance - 28 Settembre 2017
- La codifica delle relazioni spaziali in ungherese e in italiano: analisi tipologica
- 28 Settembre 2017
-
Explicit Teaching of Syntactic Movement in Passive Sentences and Relative Clauses
The Case of a Romanian/Italian Sequential Bilingual Child - 28 Settembre 2017
