Traduction et genèse de la création théâtrale
L’hétérolinguisme comme embrayeur de théâtralité chez Giorgio Strehler
Abstract
Used as a framework to analyze translation in Giorgio Strehler's Le Médecin volant and The Tempest, heterolingualism reveals tensions between published editions and stage versions. Stage translation can amplify original diversity or reveal latent plurality through dialectal redefining. While The Tempest relies on archival variants, Le Médecin volant integrates stage markers, as translation and staging are consubstantial. As a genetic translation marker in manuscripts, heterolingualism defines theatre translation as a textual matrix and an intermediate genetic object, positioning archival manuscripts as a vantage point to observe theatre translation.
open access | peer reviewed
Presentato: 03 Giugno 2026 | Accettato: 30 Giugno 2026 | Pubblicato 22 Ottobre 2026 | Lingua: fr
Keywords Theatrical translation • Stage translation • Translational genetic markers • Heterolingualism • Archival variants
Copyright © 2026 Mirella Piacentini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.