Zaguanes, iberismos, alegorías

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Campo DC	Valore
dc.identifier	ECF_chapter_15434
dc.contributor.author	Fernández Ferrer Antonio
dc.title	Zaguanes, iberismos, alegorías
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	Using some of elements of Gérard Genette’s definition of thresholds (seuils), I will analyze several aspects in different editions of José Saramago’s A jangada de pedra (1986) and their Spanish translations (La balsa de piedra). The consideration of editorial designs such as covers and external texts linked to the literary nucleus, allows the comparison with Alejo Carpentier’s Concierto barroco (1974), and the cinematographic transposition directed by George Sluizer (La balsa de piedra, 2002), leading to a reflection upon certain notions related to iberism and its derivations (trans-ibericidade) together with the study of allegorical discourse.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-05-09
dc.dateAccepted	2023-01-31
dc.dateSubmitted	2022-10-11
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-705-0/zaguanes-iberismos-alegorias/
dc.identifier.doi	10.30687/978-88-6969-704-3/009
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-705-0
dc.identifier.eisbn	978-88-6969-704-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Allegory
dc.subject	Carpentier
dc.subject	Cinematographic Transposition
dc.subject	Iberisms
dc.subject	Paratexts
dc.subject	Saramago
dc.subject	Sluizer
dc.subject	Thresholds

Capitolo
open access

Zaguanes, iberismos, alegorías

Antonio Fernández Ferrer Universidad de Alcalá

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abstract

Using some of elements of Gérard Genette’s definition of thresholds (seuils), I will analyze several aspects in different editions of José Saramago’s A jangada de pedra (1986) and their Spanish translations (La balsa de piedra). The consideration of editorial designs such as covers and external texts linked to the literary nucleus, allows the comparison with Alejo Carpentier’s Concierto barroco (1974), and the cinematographic transposition directed by George Sluizer (La balsa de piedra, 2002), leading to a reflection upon certain notions related to iberism and its derivations (trans-ibericidade) together with the study of allegorical discourse.

Pubblicato

09 Maggio 2023

Accettato

31 Gennaio 2023

Presentato

11 Ottobre 2022

Lingua

ISBN (PRINT)

978-88-6969-705-0

ISBN (EBOOK)

978-88-6969-704-3

Keywords: Sluizer • Allegory • Carpentier • Paratexts • Cinematographic Transposition • Thresholds • Saramago • Iberisms

permalink: http://doi.org/10.30687/978-88-6969-704-3/009

Copyright: © 2023 Antonio Fernández Ferrer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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