Collana | Quaderni di Venezia Arti
Miscellanea | Behind the Image, Beyond the Image
Capitolo | San Francesco Solano il ‘Taumaturgo del Nuovo Mondo’
Abstract
The following study is based on the observation of a scagliola frontal from the second half of the 17th century in the chapel of the Blessed Sacrament in the church of Santa Maria in Aracoeli in Rome. The decoration, representing saint Francis Solanus playing the violin to the birds as its subject, becomes the occasion for an iconographic and iconological study that investigates the figure of the Franciscan missionary saint and, going backwards, that of saint Francis of Assisi, comparing them with those of Adam and Orpheus.
Presentato: 28 Ottobre 2021 | Pubblicato 13 Maggio 2022 | Lingua: it
Keywords Hagiography • Violin • Iconology • Music • Pseudomorphosis • Franciscanism • Animals
Copyright © 2022 Claudio Sagliocco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-588-9/016
Behind / Beyond Dimension
Behind / Beyond the Stage
Behind / Beyond Public Space
Behind / Beyond Politics
Behind / Beyond Madness
Behind / Beyond Meditation
Behind / Beyond Memory
Behind / Beyond the Idea
Behind / Beyond the Iron Curtain
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_7246 |
dc.contributor.author |
Sagliocco Claudio |
dc.title |
San Francesco Solano il ‘Taumaturgo del Nuovo Mondo’. Uno studio iconologico a partire da un paliotto a scagliola in Santa Maria in Aracoeli |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
The following study is based on the observation of a scagliola frontal from the second half of the 17th century in the chapel of the Blessed Sacrament in the church of Santa Maria in Aracoeli in Rome. The decoration, representing saint Francis Solanus playing the violin to the birds as its subject, becomes the occasion for an iconographic and iconological study that investigates the figure of the Franciscan missionary saint and, going backwards, that of saint Francis of Assisi, comparing them with those of Adam and Orpheus. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2022-05-13 |
dc.dateSubmitted |
2021-10-28 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-589-6/san-francesco-solano-il-taumaturgo-del-nuovo-mondo/ |
dc.identifier.doi |
10.30687/978-88-6969-588-9/016 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-588-9 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Animals |
dc.subject |
Franciscanism |
dc.subject |
Hagiography |
dc.subject |
Iconology |
dc.subject |
Music |
dc.subject |
Pseudomorphosis |
dc.subject |
Violin |
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