Collana | Quaderni di Venezia Arti
Miscellanea | Behind the Image, Beyond the Image
Capitolo | L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e Sessanta
Abstract
Exhibiting is a physical outcome. The relation between artworks, visitors and display is represented by many media – not only by photographs – that enhance our historical knowledge of Italian Design. Recent research suggests that drawing plays a fundamental role in architect learning practice, particularly referring to the draftsmanship and the significance of pen and pencil sketching. Drawing by hand is an important tool capable of stimulating and training visual thinking. Though it retains personal connections to the drawer’s skills, it represents the concrete translation of the designer’s thought. The purpose of the paper is to present the exhibition design image of Italian shows between the 1950s and the 1960s through the originator’s conceptual sketch.
Presentato: 28 Ottobre 2021 | Pubblicato 13 Maggio 2022 | Lingua: it
Keywords Sketch • Exhibitions • Exhibition set up • Drawing • Italy
Copyright © 2022 Andrea Nalesso. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-588-9/002
Behind / Beyond Dimension
Behind / Beyond the Stage
Behind / Beyond Public Space
Behind / Beyond Politics
Behind / Beyond Madness
Behind / Beyond Meditation
Behind / Beyond Memory
Behind / Beyond the Idea
Behind / Beyond the Iron Curtain
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_7237 |
dc.contributor.author |
Nalesso Andrea |
dc.title |
L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e Sessanta. Dallo schizzo concettuale all’opera realizzata |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Exhibiting is a physical outcome. The relation between artworks, visitors and display is represented by many media – not only by photographs – that enhance our historical knowledge of Italian Design. Recent research suggests that drawing plays a fundamental role in architect learning practice, particularly referring to the draftsmanship and the significance of pen and pencil sketching. Drawing by hand is an important tool capable of stimulating and training visual thinking. Though it retains personal connections to the drawer’s skills, it represents the concrete translation of the designer’s thought. The purpose of the paper is to present the exhibition design image of Italian shows between the 1950s and the 1960s through the originator’s conceptual sketch. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2022-05-13 |
dc.dateSubmitted |
2021-10-28 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-589-6/limmagine-del-progetto-di-allestimento-nellitalia/ |
dc.identifier.doi |
10.30687/978-88-6969-588-9/002 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-588-9 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Drawing |
dc.subject |
Exhibition set up |
dc.subject |
Exhibitions |
dc.subject |
Italy |
dc.subject |
Sketch |
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