Collana | Quaderni di Venezia Arti
Volume 5 | Miscellanea | Behind the Image, Beyond the Image
Behind the Image, Beyond the Image
open access-
a cura di
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Lorenzo Gigante - Università Ca’ Foscari Venezia, Italia - email
- Anastasia Kozachenko-Stravinsky - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin imago, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book Behind the Image: The Art of Reading Paintings, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality.
Keywords Moscow Olympic Games • Fifteenth century • Christiane Jatahy • Bologna • Pimenov • Curatorial studies • Site-specific • Morazzone • Screen • 刘永刚 • Media • Russian opera in Italy • Activation • Robert Smithson • Photographic display • Heidegger • Chinese Contemporary art • Drawing • Banksy • Narcissus • Socially engaged art • Robert Craft • Image • Entropy • Informal art • Myth • Pavel Lamm • Aesthetics • Image theory • Boris Godunov • Re-iconocity of characters • Constructivism • The image of sport • Cinema • Allison Stewart • Oil sketches • Exhibitions • Soviet animation • Engagement • Painting of souvenirs • Paintings • Zeitbild • Woodcut • Giorgio Vasari • History of collections • Participation • Holy fool • Soviet criticism • Sketch • Stage • City of 20th century • Response • Masculinity • Multidisciplinary • Art criticism • Toppled Monuments Archive • Mirror • Visual Culture Studies • Collecting in Rome • Seventeenth century • Iconology • Architecture exhibition • Burov • Epiphany • Time • Igor Stravinsky • Photography in public space • Vittorio Gui • Performative Languages • Jacopo Ligozzi • La Scala • Theology • Monuments • Religious metaphor • Rome • Music • Iconotext • Boris Asafyev • Steve McQueen • Khovanshchina • Landscape • Contemporary art • Baroque • Hudinilson Jr • Hagiography • Black Lives Matter • Exhibition studies • Kant • Ri-mediation • Society of Easel Painters • Modest Musorgsky • JR • Intermediality • Architecture representation • Russian opera • Katie Mitchell • Soviet art theory • Epidemic • Plato • Miss Julie • Franciscanism • Architecture theory • Diplomatic gift • Liu Yonggang • Visual • Small-sized paintings • Soviet caricatures • Dionysus • Historiography • Art and power • European art • Grand Tour • 当代艺术 • Russian European • Exhibition set up • Xenia Stravinsky • Theatre • Cultural tradition • Khrushchev’s Thaw • Mary Tibaldi Chiesa • Art in public space • National identity • Sam Durant • Xerox Actions • Art market • Giovanni Baglione • Politics • Saint Sebastian • Animals • 1962 • Sport animation • Italy • Philosophy • Madonna del Fuoco • Lombardy • Architecture • Memory • Nikolay Rimsky-Korsakov • Self-image • France • Violin • Miraculous images • Ecclesiology • Return to USSR • Sedimentation • Situation • Land Art • Sculpture • Pseudomorphosis • Italian postwar art • Know thyself • Sport • Iconoclasm • Word-picture relationship
Permalink http://doi.org/10.30687/978-88-6969-588-9 | e-ISBN 978-88-6969-588-9 | Pubblicato 13 Maggio 2022 | Lingua it, en, ru
Copyright © 2022 Giovanni Argan, Lorenzo Gigante, Anastasia Kozachenko-Stravinsky. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
