Retour sur l’hymne homérique comme proème : la pragmatique de

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Campo DC	Valore
dc.identifier	ECF_chapter_6522
dc.contributor.author	Calame Claude
dc.title	Retour sur l’hymne homérique comme proème : la pragmatique de l’hymne 6 à Aphrodite
dc.type	Capitolo
dc.language.iso	fr
dc.description.abstract	For the necessary anthropological return to ‘native’ categories, Thucydides (3.104) helps us for our modern understanding of the Homeric hymns. These poems in epic diction are prooimia to musical competitions. They are composed for a ritual recitation on the occasion of different cultic festivals in different cities. With the example of the second Homeric hymn consecrated to Aphrodite in our modern corpus, the study tends to show the different enunciative procedures aiming at such a ritual function, such a pragmatics through an astonishing portrait of the goddess of erotic desire. The procedure opens the possibility of re-performances of the hymnic poems in other ritual circumstances, in other cultic spaces.
dc.relation.ispartof	Antichistica
dc.relation.ispartof	Filologia e letteratura
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-16
dc.dateAccepted	2021-06-23
dc.dateSubmitted	2021-05-17
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-549-0/retour-sur-lhymne-homerique-comme-proeme-la-pragma/
dc.identifier.doi	10.30687/978-88-6969-548-3/002
dc.identifier.issn	2610-8828
dc.identifier.eissn	2610-9344
dc.identifier.isbn	978-88-6969-549-0
dc.identifier.eisbn	978-88-6969-548-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Aphrodite
dc.subject	Aphrodite
dc.subject	Enunciation
dc.subject	Enunciation
dc.subject	Homeric hymn
dc.subject	Homeric hymn
dc.subject	Pragmatics
dc.subject	Pragmatics
dc.subject	Reperformance
dc.subject	Reperformance
dc.subject	Ritual
dc.subject	Ritual

Capitolo
open access

Retour sur l’hymne homérique comme proème : la pragmatique de l’hymne 6 à Aphrodite

Claude Calame EHESS, Paris, France

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abstract

For the necessary anthropological return to ‘native’ categories, Thucydides (3.104) helps us for our modern understanding of the Homeric hymns. These poems in epic diction are prooimia to musical competitions. They are composed for a ritual recitation on the occasion of different cultic festivals in different cities. With the example of the second Homeric hymn consecrated to Aphrodite in our modern corpus, the study tends to show the different enunciative procedures aiming at such a ritual function, such a pragmatics through an astonishing portrait of the goddess of erotic desire. The procedure opens the possibility of re-performances of the hymnic poems in other ritual circumstances, in other cultic spaces.

Pubblicato

16 Dicembre 2021

Accettato

23 Giugno 2021

Presentato

17 Maggio 2021

Lingua

ISBN (PRINT)

978-88-6969-549-0

ISBN (EBOOK)

978-88-6969-548-3

Keywords: Pragmatics • Aphrodite • Homeric hymn • Ritual • Reperformance • Enunciation

permalink: http://doi.org/10.30687/978-88-6969-548-3/002

Copyright: © 2021 Claude Calame. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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