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Bacchylides Playing Tragic

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Abstract

This paper focuses on features in Bacchylides’ poetry that have been mainly associated with the tragic genre: human error, the ignorance of tragic characters, the audience’s privileged knowledge at a tragic and lyric performance and its activation, tragic irony, and the audience’s participation in the completion of mythological narratives. As evidence of Bacchylides’ tragic aura I analyse the figures of Deianeira and Heracles in Odes 5 and 16 in connection with the story in Sophocles’ Trachiniae; the resemblance of the structure of Ode 18 with encounters with the tragic chorus and how it creates internal and external audiences; questions of closures and narratives endings.


Open access

Presentato: 17 Maggio 2021 | Accettato: 23 Giugno 2021 | Pubblicato 16 Dicembre 2021 | Lingua: en

Keywords Tragedy • Audience • Human error • Narrative • Knowledge • Lyric poetry • Tragic irony

Copyright © 2021 Theodora A. Hadjimichael. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-548-3/013


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