Collana | Biblioteca di Rassegna iberistica
Volume 21 | Miscellanea | Narratives of Violence
Narratives of Violence
open access | peer reviewed-
a cura di
- Teresa Iribarren - Universitat Oberta de Catalunya, Espanya - email orcid profile
- Roger Canadell - Universitat Oberta de Catalunya, Espanya - email orcid profile
- Josep-Anton Fernàndez - Universitat Oberta de Catalunya, Espanya - email orcid profile
Abstract
Narratives of Violence is a contribution to the ethical turn in literary studies. In the current context of systemic political violence unleashed in the wake of 9/11 and the global advance of capitalism and neoliberalism, literature constitutes a particularly timely device to raise awareness about injustice, the abuse of power, and the violation of human rights. Literature may also be helpful in order to face social challenges such as peaceful coexistence with immigrants and displaced people, and the settling of refugees. This book is an invitation to read a selection of narratives of violence anchored in different geopolitical realities, and located in historical contexts ranging from the beginning of the 20th century to the present day. By adopting ethical criticism in order to tackle the dilemmas posed by these stories, we aim to contribute to the configuration of global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. This collection offers critical readings of works of various genres, originally written in different languages. Authors discussed comprise Mrīrīda nʾait ʿAtiq (Morocco), Janina Hescheles (Poland), Eva Koch (Denmark), María Galindo (Bolivia) and Sonia Sánchez (Argentina), Najat El Hachmi (Morocco-Catalonia), Arundhati Roy (India), Leila Abdelrazaq (Palestine), and Yū Miri, Murata Sayaka, and Kawakami Mieko (Japan). The corpus includes biographical, autobiographical, testimonial, and fictional narratives, sometimes very close to documentary or life history. The works analysed in this collection portray experiences of violence and oppression caused by social, political, economic, and military conflicts. The novelty of this book lies in the challenge it poses to the Western-centric and patriarchal bias often found in similar collections of scholarly essays. Thus, the book focuses on female authors, seeking to give visibility and voice to women victims, generally forgotten in hegemonic cultural discourses.
Keywords Violence • Youth • Colonialism • Japanese literature • Holocaust • Feminism • Walter Benjamin • Maurice Halbwachs • Respect • Ethics • Mrīrīda nʾait ʿAtiq • Spanish Civil War • Historical memory • Temporality • Graphic memoir • Sustainability • Memoir • Exile • Jean Laplanche • Human rights • Morocco • Reading • Heroism • Guerrillas • Psychoanalysis • Postcolonialism • Genealogies • Catalan literature • Representation • Dignity • Systemic violence • Subalternity • Oliva and Norwegian humanitarian aid • Testimonial narrative • Marianne Hirsch • Memory • Identity • Najat El Hachmi • Palestine • Polish Jewishness • Epistemic violence • Body • Prostitution • Amazīgh culture • Precariousness • Kawakami Mieko • Testimony • Eva Koch • Anal sex • Economic violence • Villar - Los hijos de Manuela • India • Nini Haslund Gleditsch • Violence against women • Body literature • Argentinean feminist movement • Political violence • Literature • Yū Miri • Gender • Murata Sayaka • Immigration • Interactive visual art • Symbolic violence • Jay Winter • Ethical turn • Villar
Permalink http://doi.org/10.30687/978-88-6969-460-8 | e-ISBN 978-88-6969-460-8 | Pubblicato 21 Ottobre 2021 | Lingua es, en, ca
Copyright © 2021 Teresa Iribarren, Roger Canadell, Josep-Anton Fernàndez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
