‘Dans les pierres, il ne peut y avoir de fiction’ ?

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Campo DC	Valore
dc.identifier	ECF_chapter_3401
dc.contributor.author	Bernard Gwladys
dc.contributor.author	Béhar Roland
dc.title	‘Dans les pierres, il ne peut y avoir de fiction’ ?. Authentiques, faux et pastiches dans l’œuvre érudite et poétique de l’humaniste sévillan Rodrigo Caro (1573-1647)
dc.type	Capitolo
dc.language.iso	fr
dc.description.abstract	Rodrigo Caro (1573-1647) has long been considered an unreliable witness of the epigraphic tradition, first and foremost by E. Hübner (CIL II). This article reconsiders his role in the transmission of the Conventus Hispalensis’ falsae vel incertae, after a careful analysis of Caro’s Antigüedades de Sevilla (1634). Within this work, the Sevillian humanist overall appears to be scrupulous: it is only his duty to superior interests, such as those of the archbishopric of Seville, which forces him (as in his defense of the pseudo-Dexter) to reluctantly retain certain falsae included in the Antigüedades.
dc.relation.ispartof	Antichistica
dc.relation.ispartof	Storia ed epigrafia
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-11
dc.dateAccepted	2019-10-18
dc.dateSubmitted	2019-07-14
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-375-5/dans-les-pierres-il-ne-peut-y-avoir-de-fiction/
dc.identifier.doi	10.30687/978-88-6969-374-8/004
dc.identifier.issn	2610-8828
dc.identifier.eissn	2610-9344
dc.identifier.isbn	978-88-6969-375-5
dc.identifier.eisbn	978-88-6969-374-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Conventus Hispalensis
dc.subject	Conventus Hispalensis
dc.subject	Falsae
dc.subject	Falsae
dc.subject	Iberian epigraphy
dc.subject	Iberian epigraphy
dc.subject	Rodrigo Caro
dc.subject	Rodrigo Caro
dc.subject	Sevillian humanism
dc.subject	Sevillian humanism

Capitolo
open access peer reviewed

‘Dans les pierres, il ne peut y avoir de fiction’ ?

Authentiques, faux et pastiches dans l’œuvre érudite et poétique de l’humaniste sévillan Rodrigo Caro (1573-1647)

Roland Béhar Ecole Normale Supérieure, Paris, France

Gwladys Bernard Université Paris 8 Vincennes Saint Denis, France

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abstract

Rodrigo Caro (1573-1647) has long been considered an unreliable witness of the epigraphic tradition, first and foremost by E. Hübner (CIL II). This article reconsiders his role in the transmission of the Conventus Hispalensis’ falsae vel incertae, after a careful analysis of Caro’s Antigüedades de Sevilla (1634). Within this work, the Sevillian humanist overall appears to be scrupulous: it is only his duty to superior interests, such as those of the archbishopric of Seville, which forces him (as in his defense of the pseudo-Dexter) to reluctantly retain certain falsae included in the Antigüedades.

Pubblicato

11 Dicembre 2019

Accettato

18 Ottobre 2019

Presentato

14 Luglio 2019

Lingua

ISBN (PRINT)

978-88-6969-375-5

ISBN (EBOOK)

978-88-6969-374-8

Keywords: Conventus Hispalensis • Sevillian humanism • Rodrigo Caro • Falsae • Iberian epigraphy

permalink: http://doi.org/10.30687/978-88-6969-374-8/004

Copyright: © 2019 Roland Béhar, Gwladys Bernard. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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