Collana |
Biblioteca di Rassegna iberistica
Miscellanea | «Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)
Capitolo | Editar el escenario portugués
Editar el escenario portugués
- José Camões - Universidade de Lisboa, Portugal - email
Abstract
This essay deals with different levels of stage directions to be found in both manuscripts and printed chapbooks of Portuguese Theatre from the 16th to the very early 19th centuries and the challenges they present to the modern editor. They range from the total absence of explicit directions to the multiple register of the same indication repeated in each actor’s paper of the play, and even to their addition by later editors. This chapter analyses several cases that may be considered paradigmatic of the difficulties to be found when editing those texts, setting different degrees of intervention.
open access | peer reviewed
Presentato: 30 Luglio 2018 | Accettato: 04 Settembre 2018 | Pubblicato 11 Dicembre 2018 | Lingua: es
Keywords Producing the stage • Portuguese theatre • Editor’s choices • Actors’ roles • Stage copies
Copyright © 2018 José Camões. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-304-5/010
Introducción
- Presentación o Loa
- Luigi Giuliani, Victoria Pineda
- 11 Dicembre 2018
Capítulos
-
Herramientas embotadas
Lachmann y las acotaciones - Luigi Giuliani
- 11 Dicembre 2018
-
La edición de las acotaciones
El caso del aparte en los autógrafos de Lope de Vega - Javier Rubiera
- 11 Dicembre 2018
-
La acotación como texto
Con ejemplos de Lope de Vega - Gonzalo Pontón
- 11 Dicembre 2018
-
Lope ante la puesta en escena
Las acotaciones en las comedias autógrafas - Sònia Boadas
- 11 Dicembre 2018
-
Las Comedias escogidas de Lope de Vega por Juan Eugenio Hartzenbusch
Editar y reescribir - Miguel Ángel Lama Hernández
- 11 Dicembre 2018
-
Las acotaciones de Calderón
De los autógrafos a las ediciones de Vera Tassis - Fernando Rodríguez-Gallego
- 11 Dicembre 2018
- Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)
- Fausta Antonucci
- 11 Dicembre 2018
- La edición de variantes didascálicas en el teatro inglés de la época de Shakespeare
- Jesús Tronch
- 11 Dicembre 2018
-
«Un apoyo que no hay que desdeñar»
Formas y funciones de las acotaciones francesas (siglos XVI y XVII) - Véronique Lochert
- 11 Dicembre 2018
- Editar el escenario portugués
- José Camões
- 11 Dicembre 2018
- Acotaciones en las adaptaciones neerlandesas de las comedias de Lope de Vega
- Antonio Sánchez Jiménez
- 11 Dicembre 2018
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_2153 |
|
dc.contributor.author |
Camões José |
|
dc.title |
Editar el escenario portugués |
|
dc.type |
Capitolo |
|
dc.language.iso |
es |
|
dc.description.abstract |
This essay deals with different levels of stage directions to be found in both manuscripts and printed chapbooks of Portuguese Theatre from the 16th to the very early 19th centuries and the challenges they present to the modern editor. They range from the total absence of explicit directions to the multiple register of the same indication repeated in each actor’s paper of the play, and even to their addition by later editors. This chapter analyses several cases that may be considered paradigmatic of the difficulties to be found when editing those texts, setting different degrees of intervention. |
|
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2018-12-11 |
|
dc.dateAccepted |
2018-09-04 |
|
dc.dateSubmitted |
2018-07-30 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-305-2/editar-el-escenario-portugues/ |
|
dc.identifier.doi |
10.30687/978-88-6969-304-5/010 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-305-2 |
|
dc.identifier.eisbn |
978-88-6969-304-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Actors’ roles |
|
dc.subject |
Actors’ roles |
|
dc.subject |
Editor’s choices |
|
dc.subject |
Editor’s choices |
|
dc.subject |
Portuguese theatre |
|
dc.subject |
Portuguese theatre |
|
dc.subject |
Producing the stage |
|
dc.subject |
Producing the stage |
|
dc.subject |
Stage copies |
|
dc.subject |
Stage copies |
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