Storie dell’arte contemporanea

Collana | Storie dell’arte contemporanea
Recensione | Venezia 1868: l’anno di Ca’ Foscari
Capitolo | Sulla storia della fotografia attorno al 1868

Sulla storia della fotografia attorno al 1868

Abstract

Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.


Open access

Pubblicato 14 Dicembre 2018 | Lingua: it

Keywords Carlo Ponti • Antonio Perini • Palazzo Foscari • Scuola Superiore di Commercio • Photography • Ferdinando Ongania • Venice • Carlo Naya • R

Copyright © 2018 Carlo Montanaro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-294-9/006


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