A partire dal 1868: nota sulla nuova pittura a Venezia

« capitolo precedente | capitolo successivo »

Iscriviti alla newsletter

Campo DC	Valore
dc.identifier	ECF_chapter_2342
dc.contributor.author	Stringa Nico
dc.title	A partire dal 1868: nota sulla nuova pittura a Venezia. Parte prima
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Even 19th century had its ’68, particularly in Venice, where, without sensational episodes but with as much relevance, as regards the artistic situation, as what happened a century later, a series of events, if seen even if only in their apparently casual consequential and then overlapping, attests to a total value objectively unusual and rich in subsequent implications, ordered in the direction of a general renewal. Two years after the plebiscite that sanctioned the entry of Venice and Veneto into the Kingdom of Italy, many signs provide the clarification of an overall picture of great momentum due in large part to the contribution of a new generation of Venetians. The establishment of the Royal Higher School of Commerce at Ca’ Foscari, a prelude to the establishment of one of the major university centres of research and higher education, contributed to the rebirth and revival of Venice and its image, in stark contrast with the myth, never extinguished, of a city ‘inevitably’ linked to its never-ending end, to its endless twilight.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-14
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-295-6/a-partire-dal-1868-nota-sulla-nuova-pittura-a-vene/
dc.identifier.doi	10.30687/978-88-6969-294-9/010
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-295-6
dc.identifier.eisbn	978-88-6969-294-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Domenico Bresolin
dc.subject	Domenico Bresolin
dc.subject	Emanuele Antonio Cicogna
dc.subject	Emanuele Antonio Cicogna
dc.subject	Ermolao Antonio Paoletti
dc.subject	Ermolao Antonio Paoletti
dc.subject	Federico Zandomeneghi
dc.subject	Federico Zandomeneghi
dc.subject	Filippo Palizzi
dc.subject	Filippo Palizzi
dc.subject	Fine Art Academy of Venice
dc.subject	Fine Art Academy of Venice
dc.subject	Giacomo Favretto
dc.subject	Giacomo Favretto
dc.subject	Guglielmo Ciardi
dc.subject	Guglielmo Ciardi
dc.subject	Guglielmo Stella
dc.subject	Guglielmo Stella
dc.subject	Luigi Nono
dc.subject	Luigi Nono
dc.subject	Michele Cammarano
dc.subject	Michele Cammarano
dc.subject	Pietro Selvatico Estense
dc.subject	Pietro Selvatico Estense
dc.subject	Strenna Veneziana
dc.subject	Strenna Veneziana
dc.subject	Tommaso Locatelli
dc.subject	Tommaso Locatelli
dc.subject	Venice
dc.subject	Venice
dc.subject	Vincenzo Cabianca
dc.subject	Vincenzo Cabianca

Capitolo
open access

A partire dal 1868: nota sulla nuova pittura a Venezia

Parte prima

Nico Stringa Università Ca’ Foscari Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

Even 19th century had its ’68, particularly in Venice, where, without sensational episodes but with as much relevance, as regards the artistic situation, as what happened a century later, a series of events, if seen even if only in their apparently casual consequential and then overlapping, attests to a total value objectively unusual and rich in subsequent implications, ordered in the direction of a general renewal. Two years after the plebiscite that sanctioned the entry of Venice and Veneto into the Kingdom of Italy, many signs provide the clarification of an overall picture of great momentum due in large part to the contribution of a new generation of Venetians. The establishment of the Royal Higher School of Commerce at Ca’ Foscari, a prelude to the establishment of one of the major university centres of research and higher education, contributed to the rebirth and revival of Venice and its image, in stark contrast with the myth, never extinguished, of a city ‘inevitably’ linked to its never-ending end, to its endless twilight.

Pubblicato

14 Dicembre 2018

Lingua

ISBN (PRINT)

978-88-6969-295-6

ISBN (EBOOK)

978-88-6969-294-9

Keywords: Filippo Palizzi • Domenico Bresolin • Guglielmo Ciardi • Luigi Nono • Strenna Veneziana • Pietro Selvatico Estense • Michele Cammarano • Guglielmo Stella • Fine Art Academy of Venice • Tommaso Locatelli • Vincenzo Cabianca • Emanuele Antonio Cicogna • Ermolao Antonio Paoletti • Venice • Giacomo Favretto • Federico Zandomeneghi

permalink: http://doi.org/10.30687/978-88-6969-294-9/010

Copyright: © 2018 Nico Stringa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite