La fotosintesi del cambiamento

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Campo DC	Valore
dc.identifier	ECF_chapter_2351
dc.contributor.author	Masala Andrea
dc.title	La fotosintesi del cambiamento. Guglielmo Ciardi e l’opera Canale della Giudecca
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	This essay aims to give a reading of Guglielmo Ciardi’s painting Canale della Giudecca focused on light and synthesis of pictorial elements. The second half of the 19th century is a very intense period for Venice: the Serenissima experience recently ended and modernity is arriving in the form of new bridges and ferries. The Academy of Art is living a big revolution and artists are travelling, learning new techniques and painting en plein air. Guglielmo Ciardi is in this way a man of his times and he gives a very good proof of it in this painting. Thanks to critical readings and secondary sources Ciardi’s creative process will be here analysed and explained with particular stress on light and synthesis. Therefore, Canale della Giudecca is interpreted here as a manifesto and a ‘photo-synthesis’ of the painter’s art, of the landscape painting changes and as a symbol of the 1868 venetian historical and cultural context.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-14
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-295-6/la-fotosintesi-del-cambiamento/
dc.identifier.doi	10.30687/978-88-6969-294-9/013
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-295-6
dc.identifier.eisbn	978-88-6969-294-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Canale della Giudecca
dc.subject	Canale della Giudecca
dc.subject	Florence
dc.subject	Florence
dc.subject	Guglielmo Ciardi
dc.subject	Guglielmo Ciardi
dc.subject	Light
dc.subject	Light
dc.subject	Modernity
dc.subject	Modernity
dc.subject	Photography
dc.subject	Photography
dc.subject	Venice
dc.subject	Venice

Capitolo
open access

La fotosintesi del cambiamento

Guglielmo Ciardi e l’opera Canale della Giudecca

Andrea Masala

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abstract

This essay aims to give a reading of Guglielmo Ciardi’s painting Canale della Giudecca focused on light and synthesis of pictorial elements. The second half of the 19th century is a very intense period for Venice: the Serenissima experience recently ended and modernity is arriving in the form of new bridges and ferries. The Academy of Art is living a big revolution and artists are travelling, learning new techniques and painting en plein air. Guglielmo Ciardi is in this way a man of his times and he gives a very good proof of it in this painting. Thanks to critical readings and secondary sources Ciardi’s creative process will be here analysed and explained with particular stress on light and synthesis. Therefore, Canale della Giudecca is interpreted here as a manifesto and a ‘photo-synthesis’ of the painter’s art, of the landscape painting changes and as a symbol of the 1868 venetian historical and cultural context.

Pubblicato

14 Dicembre 2018

Lingua

ISBN (PRINT)

978-88-6969-295-6

ISBN (EBOOK)

978-88-6969-294-9

Keywords: Venice • Guglielmo Ciardi • Photography • Florence • Modernity • Light • Canale della Giudecca

permalink: http://doi.org/10.30687/978-88-6969-294-9/013

Copyright: © 2018 Andrea Masala. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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