Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Radio • Resistance • Public sympathy • Neo-Marxism • Taiwan cinema • Censorship • Authorship • Cultural analysis • Transgender • Sexual assault • Chinese art-house cinema • Extinction studies • Meiji Restoration • Soundscape • Taiwanese identity • Neoliberalism • Political space • China • Ontological securitisation • Vulnerability • Art-house cinema • Necropolitics • Sound • Loudspeaker • Statues • Literature and Cinema • Precarity • Psychopolitics • Necrocene • Fragility • COVID-19 • Cold War, Cultural Diplomacy, Modern Dance, United • Decolonization • Critical theory • Moral panics • Feminism • Negotiation • Postcolonial studies • National cinema • Theatre of power • Historical narrative • Imperial taboo • Marginalisation • Marketisation • Subalternity • Noise • New historicism
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.