Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Neoliberalism • Postcolonial studies • Authorship • Chinese art-house cinema • China • Moral panics • Necrocene • Political space • Loudspeaker • COVID-19 • Necropolitics • Fragility • Critical theory • Extinction studies • Ontological securitisation • Taiwan cinema • Public sympathy • Censorship • Statues • Taiwanese identity • Decolonization • Resistance • Noise • Meiji Restoration • Sound • Imperial taboo • Negotiation • Marginalisation • Theatre of power • Vulnerability • National cinema • Precarity • Neo-Marxism • Soundscape • Subalternity • Marketisation • Sexual assault • Literature and Cinema • Art-house cinema • New historicism • Transgender • Radio • Cold War, Cultural Diplomacy, Modern Dance, United • Feminism • Cultural analysis • Psychopolitics • Historical narrative
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.