Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Chinese art-house cinema • Neoliberalism • Taiwan cinema • Meiji Restoration • Public sympathy • Feminism • Moral panics • Marginalisation • Ontological securitisation • Critical theory • Vulnerability • Radio • Art-house cinema • COVID-19 • Precarity • Resistance • Soundscape • Sexual assault • Literature and Cinema • New historicism • Subalternity • Authorship • Taiwanese identity • Theatre of power • Loudspeaker • Neo-Marxism • Cultural analysis • Postcolonial studies • Decolonization • National cinema • Necropolitics • Sound • China • Transgender • Political space • Marketisation • Extinction studies • Fragility • Psychopolitics • Noise • Statues • Censorship • Imperial taboo • Negotiation • Necrocene • Cold War, Cultural Diplomacy, Modern Dance, United • Historical narrative
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.