Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Art-house cinema • Transgender • Literature and Cinema • Extinction studies • Marketisation • Loudspeaker • New historicism • Negotiation • China • Theatre of power • Statues • Cultural analysis • Ontological securitisation • Taiwanese identity • Political space • Critical theory • Noise • Marginalisation • Historical narrative • Taiwan cinema • Precarity • Decolonization • Sound • Authorship • Fragility • Neo-Marxism • Postcolonial studies • Meiji Restoration • Necrocene • COVID-19 • Censorship • Feminism • National cinema • Moral panics • Psychopolitics • Sexual assault • Subalternity • Soundscape • Imperial taboo • Cold War, Cultural Diplomacy, Modern Dance, United • Neoliberalism • Radio • Chinese art-house cinema • Vulnerability • Necropolitics • Public sympathy • Resistance
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.