Writing Behind the Scenes

Writing Behind the Scenes

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Tema
chevron_rightLingue e culture del Medio ed Estremo Oriente

Lingua
en

ISBN (print)
978-88-6969-057-0

ISBN (ebook)
978-88-6969-056-3

ISSN Arts and Literature
chevron_right 2610-8992

e-ISSN Arts and Literature
chevron_right 2610-9425

Data pubblicazione
01 Dic 2015

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Metadati

Ca’ Foscari Japanese Studies | 4

Writing Behind the Scenes
Stage and Gender in Enchi Fumiko's Works

Daniela Moro
Università Ca’ Foscari Venezia, Italia
daniela.moro@unive.it

DOI 10.14277/978-88-6969-056-3

Abstract

The book focuses on the work of the Japanese writer Enchi Fumiko (1905-1986) and in particular on a selection of her late novels and novellas which are set in the world of traditional performing arts. The author analyzes the numerous intertextual references in Enchi’s works, not only to kabuki and noh – in particular through her reinterpretation of central figures such as Ono no Komachi and Kikujidō – but also to the theatrical production of Mishima Yukio. Through a lively dialogue with gender studies, queer studies, theories of performativity and memory, Enchi’s works reveal a strategic and expert use of the expressive potential of the stage. As a place par excellence where the fluidity of gender and more generally of identity are explored, in Enchi’s works theatre becomes an efficacious tool to deconstruct discourses and subvert conventions.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario

Sommario

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Campo DC Valore

dc.contributor.author

Moro Daniela

dc.title

Writing Behind the Scenes

dc.type

Book

dc.language.iso

en

dc.description.abstract

The book focuses on the work of the Japanese writer Enchi Fumiko (1905-1986) and in particular on a selection of her late novels and novellas which are set in the world of traditional performing arts. The author analyzes the numerous intertextual references in Enchi’s works, not only to kabuki and noh – in particular through her reinterpretation of central figures such as Ono no Komachi and Kikujidō – but also to the theatrical production of Mishima Yukio. Through a lively dialogue with gender studies, queer studies, theories of performativity and memory, Enchi’s works reveal a strategic and expert use of the expressive potential of the stage. As a place par excellence where the fluidity of gender and more generally of identity are explored, in Enchi’s works theatre becomes an efficacious tool to deconstruct discourses and subvert conventions.

dc.relation.ispartof

Ca’ Foscari Japanese Studies

dc.relation.ispartof

Arts and Literature

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2015-12-01

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-056-3

dc.identifier.issn

2610-8976

dc.identifier.eissn

2610-9395

dc.identifier.isbn

978-88-6969-057-0

dc.identifier.eisbn

978-88-6969-056-3

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

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