Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Cathedral at Monza • Byzantine artist • Memorial • Woodcut • Alighiero Boetti • Essay Film • Duplication • Medieval Artist • Paggi • Edvard Munch • Byzantine epigraphy • Volvinus • Samuel Beckett's Film • 1968 • Epigraphy • Iconology • Illusion • Lorenzo Veneziano • Rebus • Signature • Anonymity • Clinic • Sanatorium • Soliani • Archive Footage • Genoa • Stories of Theodelinda • Gothic Venetian Painting • Contemporary Art • Modern painting • Galleria La Salita • Andri • Artists’ names • Medieval Epigraphy • Romanesque (France) • Morganatic Marriage • Faciebat • Toponym • Requiescat in Pace Corradinus • Annunciation • Museo Storico Navale • Arnolfini • Authorship • Woodblocks • Art history • Parma • Written culture • Zavattari • Art workshops • Self-staging • Devotion • Intellectual • Literacy • 1972 • Torre Astura • Invention of the Artist • Jan van Eyck • Medieval Apulia • Imperfect • Museum display • Angilbertus • Pino Pascali • Parapet • Permanence • Photography • Tiziano • Bacchanal • Golden Altar • Happening • Found Footage • Inscription

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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