Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Museum display • Medieval Artist • Paggi • 1972 • Artists’ names • Edvard Munch • Golden Altar • Iconology • Faciebat • Lorenzo Veneziano • Permanence • Requiescat in Pace Corradinus • Medieval Apulia • Morganatic Marriage • Signature • Genoa • Epigraphy • Illusion • Rebus • Contemporary Art • Alighiero Boetti • Devotion • Archive Footage • Happening • Memorial • Photography • Torre Astura • Galleria La Salita • Sanatorium • Essay Film • Byzantine artist • Inscription • Parapet • Pino Pascali • Romanesque (France) • Soliani • Annunciation • Stories of Theodelinda • Angilbertus • Found Footage • Arnolfini • Duplication • Imperfect • Bacchanal • Tiziano • Museo Storico Navale • Andri • Woodblocks • Invention of the Artist • Literacy • Medieval Epigraphy • Samuel Beckett's Film • Cathedral at Monza • Toponym • Written culture • Anonymity • Art history • Woodcut • Clinic • Byzantine epigraphy • Jan van Eyck • Modern painting • Intellectual • Art workshops • 1968 • Authorship • Gothic Venetian Painting • Self-staging • Volvinus • Parma • Zavattari

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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