Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Byzantine epigraphy • 1972 • Woodblocks • Archive Footage • Requiescat in Pace Corradinus • Duplication • Memorial • Annunciation • Museo Storico Navale • Samuel Beckett's Film • Photography • Zavattari • Tiziano • Volvinus • Anonymity • Lorenzo Veneziano • 1968 • Bacchanal • Clinic • Medieval Epigraphy • Romanesque (France) • Alighiero Boetti • Signature • Genoa • Edvard Munch • Imperfect • Angilbertus • Stories of Theodelinda • Authorship • Invention of the Artist • Galleria La Salita • Rebus • Art workshops • Happening • Intellectual • Artists’ names • Written culture • Faciebat • Andri • Cathedral at Monza • Morganatic Marriage • Self-staging • Woodcut • Art history • Essay Film • Golden Altar • Iconology • Inscription • Medieval Artist • Parapet • Contemporary Art • Epigraphy • Byzantine artist • Jan van Eyck • Soliani • Parma • Pino Pascali • Torre Astura • Found Footage • Permanence • Paggi • Devotion • Gothic Venetian Painting • Literacy • Illusion • Modern painting • Toponym • Arnolfini • Museum display • Sanatorium • Medieval Apulia

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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