Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Angilbertus • Art history • Jan van Eyck • 1968 • Byzantine artist • Alighiero Boetti • Iconology • Museum display • Edvard Munch • Medieval Epigraphy • Literacy • Medieval Artist • Bacchanal • Devotion • Faciebat • Woodblocks • Found Footage • Anonymity • Artists’ names • Byzantine epigraphy • Epigraphy • Intellectual • Happening • Volvinus • Clinic • Photography • Medieval Apulia • Genoa • Samuel Beckett's Film • Invention of the Artist • Requiescat in Pace Corradinus • Stories of Theodelinda • Tiziano • Woodcut • Contemporary Art • 1972 • Annunciation • Permanence • Signature • Andri • Cathedral at Monza • Pino Pascali • Authorship • Soliani • Duplication • Paggi • Self-staging • Essay Film • Modern painting • Parapet • Zavattari • Lorenzo Veneziano • Golden Altar • Parma • Arnolfini • Museo Storico Navale • Rebus • Romanesque (France) • Written culture • Galleria La Salita • Imperfect • Morganatic Marriage • Toponym • Illusion • Archive Footage • Torre Astura • Sanatorium • Art workshops • Gothic Venetian Painting • Memorial • Inscription

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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