Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Art workshops • Parma • Annunciation • Photography • Devotion • 1968 • Authorship • Rebus • Artists’ names • Museum display • Woodblocks • Zavattari • Illusion • Arnolfini • Bacchanal • Faciebat • Happening • Woodcut • Intellectual • Andri • Literacy • Stories of Theodelinda • Self-staging • Byzantine epigraphy • Medieval Apulia • Sanatorium • Alighiero Boetti • Jan van Eyck • Requiescat in Pace Corradinus • Art history • Soliani • Torre Astura • Inscription • Contemporary Art • Morganatic Marriage • Gothic Venetian Painting • Epigraphy • Parapet • Paggi • 1972 • Toponym • Found Footage • Memorial • Pino Pascali • Angilbertus • Cathedral at Monza • Medieval Artist • Medieval Epigraphy • Imperfect • Tiziano • Museo Storico Navale • Byzantine artist • Archive Footage • Edvard Munch • Golden Altar • Signature • Galleria La Salita • Romanesque (France) • Anonymity • Modern painting • Samuel Beckett's Film • Genoa • Clinic • Invention of the Artist • Volvinus • Essay Film • Lorenzo Veneziano • Written culture • Duplication • Permanence • Iconology

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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