Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Stories of Theodelinda • Byzantine artist • Permanence • Invention of the Artist • Signature • Genoa • Angilbertus • Intellectual • Essay Film • Contemporary Art • Samuel Beckett's Film • Artists’ names • Morganatic Marriage • Gothic Venetian Painting • Medieval Epigraphy • Pino Pascali • Museo Storico Navale • Tiziano • Cathedral at Monza • Rebus • Inscription • Requiescat in Pace Corradinus • Medieval Apulia • 1968 • Self-staging • Edvard Munch • Illusion • Parapet • Golden Altar • Imperfect • Found Footage • Duplication • Zavattari • Volvinus • Alighiero Boetti • Authorship • Memorial • Museum display • Photography • Written culture • Soliani • Paggi • Toponym • Bacchanal • Art history • Woodcut • Romanesque (France) • Byzantine epigraphy • Torre Astura • Devotion • Art workshops • Happening • Archive Footage • Clinic • Galleria La Salita • Jan van Eyck • Arnolfini • 1972 • Lorenzo Veneziano • Woodblocks • Faciebat • Modern painting • Anonymity • Annunciation • Sanatorium • Literacy • Andri • Medieval Artist • Parma • Epigraphy • Iconology

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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